The 25 Sub-Categories of Historical Fiction

What is Historical Fiction?

Is it a boring lecture about history you're forced to sit through in 8th grade? Is it a bodice-ripping, powdered-wig romp? Well, yes—and no. People who immerse themselves in history say it's anything but boring. Sometimes they say it's even shocking. Reading the memoirs of a Victorian explorer, a fugitive slave, or a Concentration Camp survivor puts you in their shoes and shows you a world you never knew existed. By reading between the lines, making logical deductions, and perhaps embellishing some of the unknown, the writer of Historical Fiction can bring a one- or two-dimensional character to life. The possibilities for setting, plot, and characters are limited only by the imagination of the author. And thankfully, the possibilities for intrigue and entertainment are endless.

So what exactly is Historical Fiction? 

The generally accepted definition is a novel set in the past, usually 50 years before the date of publication. 

Now, to make things even more complicated, Amazon has added 25 sub-categories for Historical Fiction. 

Now you can search not only by setting and genre (as in thriller or suspense) but by time period as well. For those of you who like Historical Romance you may continue to search under the Romance subcategories for new releases.

For illustrative purposes, I have listed a few examples from each subcategory (with the exception of Religious and Short Stories). Pick a category at random and dive in. You never know, you might learn something your 8th grade history teacher failed to mention...

Biographical:  The White Princess, The Aviator's Wife, The Autobiography of Mrs. Tom Thumb, The Other Boleyn Girl, The Paris Wife, Paths of Glory, Bring up the Bodies, The Kingmaker's Daughter, The Spanish Queen, The Twelve Rooms of the Nile

Fantasy:  The Golem and the Jinni, Deck Z, The Spirit Keeper, The Witch's Daughter

Classics:  Dr. Zhivago, A Tale of Two Cities, Forever Amber

Mystery, Thriller & Suspense: The White Princess, The Key to Rebecca, Hornet Flight, The Odessa File, The Eye of the Needle, The Abominable, Pillars of the Earth

Regency: Mr. Darcy's Noble Connection, Mr. Darcy's Promise,  and all the Mr. Darcy Spinoffs, The Arrangement, Lord Love a Duke

Women's Fiction:  The Sisterhood, The Paris Wife, Rainwater, War Brides

African:  Roots, Cleopatra: A Life, Nefertiti: A Novel, A Spear of Summer Grass, The Heretic Queen, The Princess of Egypt Must Die, The Burning Shore

Asian:  The Last Empress, The Ghost Bride, The Far Pavilions, The Sandalwood Tree, The Maharajah's General, Race to Tibet

Australian & Oceania:  The Thorn Birds, The Light Between the Oceans, Fiji, A Wicked Deception

British: Wolf Hall, Bring up the Bodies, The Tudor Books, The Regency Books, Paths of Glory, Remarkable Creatures, The Orchid House, The Captain's Daughter, The Kingmaker's Daughter, The 

Other Boleyn Girl, The White Queen, Pillars of the Earth, Fall of Giants, Queen Elizabeth's Daughter, The Chalice, The Crown

Caribbean & Latin America: Island Beneath the Sea, The Pirate's Daughter, Brazil, 100 Years of Solitude, The General in his Labyrinth, Pirate Latitudes, Transfer Day, Wide Sargasso Sea, Island on Fire, and The Lost Diary of Alexander Hamilton

Chinese: Shanghai Girl, The Valley of Amazement, Dreams of Joy, The Ghost Bride

European: Mozart's Sister, The Girl with the Pearl Earring, Marrying Mozart, The Lost Wife, Hornet Flight, The Visit of the Royal Physician, Loving Søren, The Time in Between

French:  An Officer and a Spy, Day of the Jackal, Sarah's Key, A Place of Greater Safety, Claude and Camille, Sunflowers, Madame Tussaud, The Lavender Garden, Paris

German: She Wore only White, City of Women, All Quiet on the Western Front

Irish:  The Girl on the Cliff, The Princes of Ireland, The Yellow House, Galway Bay

Italian:  The Shoemaker's Wife, The Midwife of Venice, The Contessa's Vendetta, The Light in the Ruins, The Book of Madness & Cures

Japanese: Memoirs of a Geisha, King Rat, Shogun, The Gilded Fan, the Mask Carver's Son

Middle Eastern: The Haj, Exodus, Jasmine Nights, Jerusalem Maiden, Birds Without Wings, The Source, The Dovekeepers, Ben-Hur

Norse & Icelandic: Burial Rites, Oleanna,

Russian:  Rasputin's Shadow, The Winter Palace,  The Russian Concubine, Dr. Zhivago, The Autobiography of Joseph Stalin, Most Beautiful Princess

Scottish: Drums of Autumn and Anything with Highlander in the title

United States:  Gone with the Wind, The Writing Master  Centennial North and South, Lonesome Dove, The Kitchen House, The Wedding Gift, The House Girl, Mrs. Poe, The Signature of All Things, Hawaii, The Help, Water for Elephants, The Winds of War, War and Remembrance

The 5 essential elements for every good story

By Keith Ogorek

Over the past year, I have had the opportunity to be part of three Book-to-Screen Pitchfests where authors  learn how to pitch their book as an idea for adaptation for film or television and then have the opportunity  to pitch to entertainment executives in a speed-dating like setting. They have been great events for the authors and the entertainment executives alike. There have been hundreds of requests for different books.  One has been optioned and there are a number of others that are under consideration.

If you break down every great story, it has these elements

What has been most interesting to me is  no matter what the genre, there are some common elements to every great story. The books that get noticed have these elements. The books that Hollywood execs often pass on are missing one or more of these.  In fact one exec said to me, “If you break down every great story, it has these elements”. So what are they?

1.          An inciting action. This means open the story with some event that sets the characters and action in motion.  Get my attention in the beginning and give me a reason why I am going to care about the people and the story going forward.

2.          Conflict. There needs to be some challenge to overcome or some quest or mystery. The character or characters need to have some type of struggle.

3.          Resolution. Make sure the conflict gets resolved by the end of the book and don’t come up with some crazy way to solve the matter. One thing I have noticed about authors’ books that get close to being requested, but often get a pass is the resolution to their story doesn’t make sense. They set up the conflict, make the characters interesting and then resolve it with something that comes out of the blue. In their efforts to be creative, they end up making the ending implausible and that hurts the story.

4.          Protagonist. Give me a character I want to care about and can understand. Help me understand why they do what they do. Sounds simple, but it is very challenging.

5.          Antagonist. Life is often about struggle and opposition and so great stories present those challenges as well. Many times it takes the form of a person. As with the protagonist, make the antagonist interesting. Help me understand why he or she presents the opposition.

Now none of these five elements should be surprising, but I have been somewhat surprised at how some books are missing one of these elements, have them underdeveloped or make them implausible. How about your story? It would be could to do a quick review of your manuscript to see if you have these elements included. All good stories do.

Preview: Race to Tibet

Race to Tibet
3 Courageous Explorers Determined To Be the First Living European To Reach Lhasa.

1 Woman on a Quest To Find Her Missing Husband.

What they discover is a land of mystery and intrigue, a land of danger that promises them only one thing:  death.

In the end, just one of these intrepid adventurers will succeed  in reaching Tibet, but he will be haunted by it for the rest of his life.

"Race to Tibet" is the story of Gabriel Bonvalot, the determined, but overconfident French explorer whose greatest ambition is to be the first living European to reach Lhasa, the forbidden capital of Tibet. 

When the pretender to the French throne, Robert, Duke of Chartres, offers to finance Bonvalot's latest expedition on condition that he take along his dissolute son, Prince Henri d'Orléans, Bonvalot's dream seems almost guaranteed. Before he leaves, Bonvalot is approached by a beautiful young woman, Camille de Villiers, who offers to pay him 2,000 francs to join his caravan so she can search for her husband who disappeared among the passes. Bonvalot refuses, and he and Prince Henri set off. Along the way, Bonvalot is plagued by debilitating hallucinations brought on by the dead Russian explorer, Nikolai Prejevalsky, who is drawing Bonvalot deeper under his spell, giving him advice that is calculated to kill him the closer he gets to Lhasa. 

Unbeknownst to Bonvalot, a pair of rival explorers, Francis Younghusband and the Russian Bronislav Grombchevsky, are also mounting their own expeditions to Tibet, and will do anything to sabotage Bonvalot's chances. When Bonvalot reaches the Russian Consulate in Kuldja, Turkestan, he meets up with Camille once again. She has been holed up there for weeks, trying to put together her own caravan, but has not been able to recruit any of the local guides. The Consul begs Bonvalot to take her off his hands, which Bonvalot agrees to do, but only on condition that the resident Belgian missionary, Father Dedeken—who is fluent in Chinese—accompanies his caravan to Tibet.

During the journey, Bonvalot's caravan runs into a gamut of problems from freezing temperatures to impossible altitudes, blinding sandstorms, snow squalls, suspicious Tibetans, hostile Chinese Ambans, and brutal nomadic bandits. When Camille learns the truth about her husband, she decides to take revenge, a miscalculation that almost costs them their lives. Pushed to the brink of his physical and mental limits, Bonvalot must decide if reaching Lhasa is worth paying the ultimate price. In the end, only one of these three explorers will succeed in reaching Lhasa, but he will be haunted by it for the rest of his life.

Inspired by a True Story

Coming in 2014

When everyone is dead, the Great Game is finished. Not before.

—Rudyard Kipling

Historical Novelists' 4 Day Book Fair April 12-15

Introducing:  Spy Island

A Girl. A Deserter. An Island full of spies.

Spy Island is an historical spy thriller for the adventure-lover in you. Prepare to be carried away to a tropical island with its potent mixture of suspense, romance, intrigue, and a delightful assortment of island characters who will cast a spell over you. 

If you can imagine a tropical Danish sugar colony during the Great War replete with German spy characters, Old World Danish characters, colorful West Indian characters, Irish sailor characters, blazing Luger pistols, a mad Voodoo Queen, and a daunting & resourceful heroine, then you have a good picture of Spy Island.

Abby Maduro is an adventurous island girl who saves the life of a mysterious stranger who has washed ashore on her Caribbean island. Despite the danger, Abby shelters Erich Seibold, a handsome sailor with a mysterious past, in the basement of her house. Soon, friendship and love blossom between the unlikely pair, even after Abby learns that Erich is a deserter from a German U-boat. When the island's German Consul, Lothar Langsdorff, discovers Erich's true identity, he blackmails him into committing sabotage and murder. Erich is hunted down and thrown into prison, forcing Abigail to risk everything to save his life, but with Langsdorff and his spy ring still on the loose, Abigail relies on her wits, bravery and a little island magic to save her tranquil island from a dangerous German spy. Spy Island is a historical spy thriller for the adventure-lover in you. Prepare to be carried away to an exotic tropical island with its potent mixture of action, suspense, romance, and delightful island characters who will cast their spell over you. 

Danish gendarme with trusty revolver and sword in a tropical Danish colony circa 1916.

Excerpt:
The office of Assistant Policemaster Peter Larsen juts out from the interior walls of Fort Christian into the courtyard—like a tiny fortress within a fortress—and boasts an enormous wooden desk, a filing cabinet, and a rotating fan whose loud whirring drowns out the din of the prisoners. The policeman knocks on the door and waits for permission to enter.

Larsen, a middle-aged bureaucrat with a curly mustache and wearing a white, single-breasted tunic, sits upright at his desk, composing a letter in elegant Danish longhand. The only other objects that occupy his prominent desk are a large police registry book, an inkwell, and a copy of the Tidende. Hanging on the walls behind him are pictures of King Christian X and Queen Alexandrine, who gaze down on the proceedings with the proper noblesse oblige.

"Chief Larsen," says the policeman, jingling his keys. "A girl came here sayin' she brought food for de no-name prisoner. Says she wants to see him."

"If it's food she brings, you may show her in," says Larsen without bothering to look up. The policeman snatches a jagged key off a hook on the wall and says, "Dis way, Miss."

I trail the policeman through the courtyard, attempting to avert my gaze from the hissing prisoners as I search for any sign of Erich. We halt in front of a cell in the prison's southern wall. With my heart beating wildly in my chest, I peer through the bars, hoping that at last I will see Erich. When my eyes finally adjust to the darkness, I make out its sparse furnishings: a metal bed, a thin, dirty mattress, a yellowed, threadbare sheet, a porcelain receptacle in a corner, a pile of cigarette stubs on the floor. Sitting on the bed with his back to us is a silent, sulking prisoner.

"Put that basket down and run along," says the policeman. "Dese prisoners are a violent, rowdy bunch."

"Please Sir, I have to see this man. He has no family to bring him food. I must give it to him myself. I'm the only person he trusts."

"You have five minutes and no more, then be on your way," he commands, inserting the key in the lock and calling out, "Hey Kaiser man, you have a visitor."

When the prisoner turns around, my relief is boundless. Although his face is obscured by the shadows, I have no doubt that it's Erich. As soon as he sees me, Erich bolts upright and starts toward us, but the jailer holds up a huge, powerful hand.

"Not so fast, Kaiser man," he yells. "Stop right dere. Talk from ovah dere."

The policeman turns and retraces his steps through the courtyard, leaving us alone for a few precious minutes. With the door ajar, I slip inside Erich's cell and throw my arms around him.

"Erich! I thought I'd never see you again. Are you alright?"

"I’m fine," he says, with a mixture of shock and relief. "And what about you? How the devil did you manage to get in here?"

"I have my ways," I say. "I did what anybody would do under the circumstances. I had to see you again, no matter what. What are they going to do to you?"

"They're charging me with espionage, but only after they hand me over to the Allies for interrogation. We might as well say goodbye now, Abby. I'm sure I'll never see you again."  

I hiss in his ear. "Listen carefully. I'm going to get you out of here. Just do as I say…we've no time to lose."

"What? You must be crazy!"

"I'm quite serious," I affirm, pulling out the gendarme uniform. "This is our only chance. Put it on quick. The outside gate is still unlocked and there's only one policeman on duty right now. Larsen's in his office daydreaming and if you hurry, you might be able to slip through the front gate. I calculate you have about two minutes."

Erich's eyes go wide as he assesses the uniform. He tears off his clothing and pulls on the uniform with a ferocity I have never seen. First the jacket, carefully fastening all of its buttons as he mutters, "This is the craziest thing I've ever heard" and then the trousers. Finally, he replaces his shoes. He smooths back his hair, tops it off with the cap, and lowers it until it almost conceals his eyes.

"If they catch me, they'll shoot me. You realize that, don't you?"

"Shhh!" I caution. "He's coming back." 

Danish sailors and naval marching band parading down a street
in Fredericksted,  St. Croix, 1916

Charlotte Amalie, once an important sea port in the Danish West Indies
 looking just like it did during Danish times.

Typical island scene as painted by Danish artist Hugo Larsen ca. 1904-07

Danish gendarmes and police posing in front of portraits of King Frederick VIII and Queen Louise

Fort Christian, the site of a suspenseful prison breakout scene in Spy Island

Another gorgeous painting by Hugo Larsen

The National Bank of the Danish West Indies, the site of a tense scene with a mad Voodoo Queen.

Important Danish officials and sea captains await the final lowering of the Dannebrog at the side of Fort Christian.

Post Office Square, just in front of the Grand Hotel

Aerial photo St. Thomas Harbor and Hassel Island © Don Hebert

Here is a link to the kindle version of Spy Island. Treat yourself today!
http://www.amazon.com/Spy-Island-ebook/dp/B00AZRLXV8/ref=tmm_kin_title_0?ie=UTF8&qid=1365028922&sr=8-1

To kill off or not to kill off: Some thoughts on killing off a character

I was several years into writing my first novel, a spy thriller, when I had a sudden revelation. If I changed the nationality of a beloved character, I could breathe new life into him. Let me give you an example. In my novel, "Spy Island", the protagonist, a girl named Abigail, is compelled to cross the Caribbean Sea by steamer during WWI to live with her spinster aunt. On the journey, she strikes up a friendship with her room steward, a plucky Venezuelan named José whose character is vital because he teaches Abigail all about the nature of German spies and how she can protect herself from catastrophe. In so doing, José awakens in Abigail an innate love of adventure and intrigue that drives the story forward.

Yet something about José's character remained flat; I couldn't make him dance off the pages. He was nice and everything, but not memorable. And then I had the afore-mentioned revelation. If I turned José into Ian, an Irish sailor, I could incorporate those witty Irish expressions and that unmistakable Irish sense of humor that wraps around you like a Shamrock wool blanket. I recall wrinkling my brow at the notion. Could I do that? I asked myself. Could I just wave my pen and turn José from Maracaibo into an Irishman? Well, I did. And all at once, José took on a whole new life. As Ian, his Irish red hair burned the pages of my manuscript. His Cheshire cat grin, his twinkling eyes, his Gaelic sense of humor and manner of speaking, and his vulnerability captivated my Writing Class. And now we come to the "killing off part". Out of a sense of duty and patriotism, Ian stalks a wanted German spy and turns up dead—a corpse lying in a pool of blood—on the boat deck.

Could this be Ian McShane, our intrepid Irish sailor/amateur sleuth?

The ladies in my Writing Group bristled at the notion. They demanded a rewrite. "But it's crucial to the development of my story," I argued. "If Ian doesn't die, Abigail has no reason to hunt down German spies."  They shook their heads. "Change it!" they demanded. Again my brow wrinkled. Change it? And so, pen in hand, I kept the ominous pool of blood but removed the corpse. The ladies were satisfied. But the question remains. When is it appropriate to kill off a character?

In Peter Benchley's "Jaws", the death of the beautiful, young Chrissie, is the inciting incident for the entire novel. Her death and the subsequent death of a schoolboy are what arouse the feelings of horror and revenge in the protagonist. Likewise, in Sarah's Key" by Tatiana de Rosnay, the tenuous fate of little boy locked up in the closet gives his sister a vital purpose. She must escape in order to save him. Other times, the death of a character gives a novel a natural ending. Think "Rainwater" by Sandra Brown, "Sunflowers" by Sheramy Bundrick, and "Anna Karenina" by Tolstoy. In these cases, the death of a main character signals either a peaceful closure or an ignoble ending.

According to Codey Amprim in Killing off Characters-Knowing When to Drop the Guillotine, there are three conditions to killing off a character:

1) Moving the plot forward. There must be a valid reason for killing off the character and not just as a convenient way of removing him from the story. Make sure a valid outcome arises from his death.

2) Are you killing the character merely for dramatic purposes? Are you trying to shock or frighten your reader like in a horror novel, or does his death enhance or improve the story?

3) Before killing off the character, consider the bond between you, the character and the audience. According to Amprim, some writers become so attached to their characters that they make sure their life is like an aspirin commercial: they're always bundled before they go out and their insurance premiums are always paid. In certain cases, that is a form of torture to the reader because they read to vicariously experience danger through those characters. There are valid and appropriate reasons for killing off certain characters, but withholding the axe may hurt more.

In the final analysis, killing off a character finishes off that part of the story. If his death doesn't cause an unnatural break in the narrative flow or doesn't leave gaping holes in the plot, readers will generally forgive you. But tread carefully. In the words of one blogger, make sure his death doesn't make them want to throw your book across the room.

Writers and Readers:  Let me know what you think.  Did you ever get furious when a beloved character in a favorite novel was killed off?

Source:

http://mythicscribes.com/character-development/killing-off-characters/

Traveling the World through Historical Fiction

In a recent review of Spy Island, a book blogger writes, "Sophie really managed to make me feel like I was right there with the characters in this (novel) and it added a lot to my enjoyment of the book. Plus it's made me feel as if I need to travel to these places." Naturally the book reviewer got me to thinking, when did my fascination with exotic and mysterious settings first take root?

One of my fondest childhood memories is the day my fourth grade class discovered a new book sitting  unobtrusively on our library shelf. One glance at the title, The Cay by Theodore Taylor, and its depiction of castaways on a deserted beach, and we proceeded to fight tooth and nail over the book. Over the next several weeks, The Cay was the most checked-out book in our school library. And for good reason. The protagonist, Phillip, was easy going and likable, and Timothy, the elderly deckhand from Charlotte Amalie, could have been any one of the old men we saw playing dominoes on the waterfront, or over at Market Square. Taylor's characters and settings were so real, they captured life in Willemstad, Curaçao, and the deserted cay to perfection. The book recreates the feeling you get when a good friend travels to an exotic location and tells you all these first-hand, intimate details about his experiences. I dreamt of traveling to Willemstad Curaçao—now a UNESCO world heritage site—for over 20 years until I finally flew down and saw it for myself. Part of the reason was to catch a glimpse of Phillip hidden somewhere among the colorful denizens of Willemstad.

Willemstad, Curacao, Netherlands Antilles

Another historical novel with an exotic location that captured my childhood imagination was Exodus by Leon Uris. Uris' retelling of the legendary story of a ragtag group of Jewish refugees who make it to the modern-day land of Israel, and then successfully wrest control away from the British Mandate is nothing short of miraculous. Uris' descriptions of Jerusalem, the Jezreel Valley, Acre, Haifa and even Cyprus fascinate the reader, and make him feel as though he is experiencing the events first hand. His characters are flesh and blood people, with all their human quirks and failings. But like all true heroes, they inspire the reader to not just sit back and observe life's events like a spectator, but to strive to somehow make a difference in the world.

Standing at a height of 29,029 feet, and straddling the borders of Nepal and Tibet, Mount Everest is undoubtedly one of the world's most inaccessible spots. Yet despite the tremendous odds of dying on the mountain, the lure of conquering Mount Everest continues to haunt mankind's more daring elements. In addition, the Himalayas hold a strong spiritual and geographical fascination, and none possessed it more ardently than George Mallory, a British mountaineer who set off in 1924 with the young, inexperienced Andrew Irvine to conquer the roof of the world. Lovers of Historical Fiction who relish the chance to relive this epic adventure can find it in Paths of Glory by Jeffrey Archer, a marvelous retelling of this heroic and unforgettable tale.

Mount Everest

The Thorn Birds took the world by storm with its searing depictions of life in Australia's Outback and its cast of unforgettable characters who struggle against life's obstacles and tragedies. The imagery of sheep country is unflinching; the characters are almost feral in their realism. The Thorn Birds is one of historical fiction's greatest crowning achievements for its grand scope and its minute attention to detail. But through it all, the single unchanging element is Australia, a land that can never quite be tamed.

A Graham Greene novel is a like a travelogue of expatriate communities in former colonies around the globe. Take for example The Heart of the Matter, which takes place in Sierra Leone, or Our Man in Havana, which takes place in Cuba on the brink of revolution, or The Comedians, which takes place in Haiti, Greene's novels accurately portray the culture, setting, and the political turmoil and upheavals that the citizens faced on a daily basis. While not technically historical fiction since the events depicted occurred during Greene's lifetime, the novels are excellent research material for writers looking for an accurate depiction of the mindset, attitudes, and behaviors of people who lived during some of the most epochal times of the early 20th Century.

Havana, with its cavalcade of perfectly preserved 1950's era automobiles.

Thoughts from a Bookseller

Reblogged from The Huffington Post

This Book Will Change Your Life
by Allison Hill
President & COO, Vroman's Bookstore and Book Soup

I was working in the bookstore late one evening when a customer asked for me. "I'm looking for a book," he said, "and I saw your staff picks around the store and thought you might be able to help me." I asked him what kind of book he was looking for. He paused for a moment, then his voice caught and it seemed like he might start crying: "I'm looking for a book that will change my life."

In 20 years of bookselling, I've had customers share surprisingly intimate details of their lives with me. A woman in her late 50s asked me for books on relationships, but after I walked her to the section, she started crying and confided the story of her daughter's marriage to an abusive man, and how she needed a book that could save her. A well-dressed couple, him in a suit and her in a wrap dress, came in over the holidays and asked me for books to give a friend who was just diagnosed with terminal cancer. They had tried searching on Amazon, but the titles that came up were about the mechanics of how to survive, not the particular poetry of living with dying. More than once someone has asked me for a good novel, "something that will make me laugh," only to admit once I'd found a book for them, that they needed something funny to distract them from some trauma or drama that they then proceeded to share with me. A hipster asked me for books on personal finances; she was determined to begin the long crawl out of a deep debt. A famous actor admitted his stage fright and asked for a copy of Feel the Fear and Do It Anyway. A young woman asked me for books on recovering from loss; she had recently lost a child...

In the wake of Internet competition, bookstores have been feeling like publisher showcases and promoting ourselves as literary curators. But our true value may be as basic as this: often people come to us simply to talk to another human being. In a world that is more and more automated, computerized, web-based, sometimes, someone just wants to tell their story to another human being, feel like someone heard them, and take away hope that things will change -- hope in the form of a book.

I walked with the customer downstairs and we went through my staff picks that he had seen earlier:Going to Pieces Without Falling Apart, A Woman's Worth, The Gift of Fear. At various points these books had all shifted my perspective, changed my way of thinking, even saved my life one could say.Diet for a Small Planet inspired my conversion to vegetarianism when I was 18. The Comfort Traphelped me bring necessary closure to my 10-year marriage. Wherever You Go, There You Areintroduced me to meditation and a new mindful approach to my life. As Thoreau wrote, "How many a man has dated a new era in his life from the reading of a book."

These recent years have marked a new era for all of us, one full of changes. And for many people, those changes felt dramatic and alarmingly sudden. But they were years in the making, the results of hundreds of decisions we all made every single day: who we voted for, who we trusted, where we shopped, where we didn't shop, what we chose to not pay attention to, and so on. I'm not saying the global economic meltdown is our fault, but I am suggesting that perhaps right now we are making choices every day that will influence our future. A decision to save $6.00 on Amazon, multiplied by thousands of customers every day, means that your local bookstore, the place where you hang out, meet friends, met your partner, or found the book that changed your life, may not be there next year...

But for now, many of us brick and mortar booksellers are still here, committed to what I believe is a noble pursuit: putting the right book in the right person's hands. Tonight when I left work there were 30 people lined up for the grilled cheese food truck in our parking lot. There were another 40 people in our event space to hear a first-time author read. There were 10 members of a book club discussing a new novel, and another dozen folks in our coffee shop, most of them reading or writing. A family in the children's department was reading picture books together, and another 15 people quietly browsed the bookshelves. It is in these moments that I am awed by the role a bookstore plays in a community, a feeling made even more awesome by the realization that today we sold 1,087 books, any one of which could change someone's life.