Thursday, January 2, 2014

A Sneak Peak at "Race to Tibet" Coming in 2014

Race to Tibet

Race to Tibet is a thrilling tale of high-altitude adventure and survival set in the world's most forbidden country:  Tibet

Race to Tibet is based on the true story of three intrepid explorers, Gabriel Bonvalot, Francis Younghusband, and Bronislav Grombchevsky, who are competing to be the first living European to reach Lhasa. It is also the story of a woman who is determined to find her missing husband who disappeared inside Tibet—no matter the cost. What these explorers discover is a land of mystery and intrigue, a land of danger that promises them only one thing:  death.

CHAPTER 1


Paris, France
December, 1888

Strolling down the Boulevard des Italiens, Gabriel Bonvalot resembled any other well-dressed Parisian in his sack suit, top hat, and overcoat, but his mind was miles away. Worlds away to be exact. In his fertile imagination, drifts of snow became the snow-capped mountains of the Hindu Kush. The wind howling in his ears was the Pamir wolf, and the River Seine glistened like the turquoise lakes of Turkestan.
As France's most celebrated explorer, Gabriel Bonvalot was obsessed with traveling to the four corners of the globe. And when he wasn't out trekking on some windswept pass high up in the Himalayas, he was thinking of ingenious ways of getting there. Even sickness and ill health couldn't stop his mind from wandering to far-flung lands. When confined to his bed during a lengthy recuperation from rheumatic fever that he'd picked up while crossing the Pamir Mountains, Bonvalot's greatest pleasure was to leaf through his trusty Schrader Atlas and let his eyes wander over the mountains, rivers, valleys, and lakes. From the volume's dusty pages, mountain peaks would burst forth, joined by forests of pine and oak trees that sprang up like dandelions, bowing and swaying from a blast of cold Siberian wind, while shimmering blue rivers snaked down to fertile orchards of apple, almond, and apricot trees.
To Gabriel Bonvalot, a map was a living, breathing world. And when his eyelids grew too heavy, and sleep was about to overtake him, an imaginary snowfall would fall across his bed, prompting him to close the atlas, pull up the covers, and fall into a deep, restful slumber.
When pressed, Bonvalot would always insist that geography was more than the mere study of maps, surveys, and charts as found in countless volumes languishing in dusty libraries around the world. Geography was, in fact, an adventure waiting to be explored. A costly adventure, to be sure, but one that filled all his waking and all his sleeping hours.
But the world of exploration was not without its hazards. Bonvalot would always caution the prudent explorer to forever be on his guard and keep his Winchester close at hand. From roving bands of brigands, to hostile border guards, to mercenaries and pirates, travelers needed more than luck to reach their goal. They needed a quick trigger finger or an open purse. And then there were the unseen maladies that could stop even the hardiest explorer in his tracks, like cholera and dysentery as explained by great men of science like Pasteur and Koch in their medicinal doctrine of microbes. As demonstrated by the mighty Prejevalsky, these tiny devils could reduce even a Goliath of a man to his sick bed. But aside from the obvious perils, Bonvalot's greatest worry was money. The art of coaxing money out of fickle coffers was almost as difficult as extracting gold teeth from reluctant mouths. An expedition of any size was an expensive endeavor that could end in failure and bankruptcy. After his last journey across the Pamirs had almost cost him his life, the price of high-risk travel was greater than ever. Looking back on that fiasco, when his journey across the Roof of the World had left him frostbitten, starved, snow-blind, and locked up in a Chitral dungeon, Bonvalot knew he would need an extraordinary success to seal his name in the annals of geography.
This time he would go for the grand prize.
Bonvalot's dream was to be the first living European to reach Lhasa, the forbidden—and therefore enticing—capital of Tibet. But it would not be easy. Times were hard; money was scarce. Even the royal family had had their share of money woes. There were rumors that the young pretender to the French throne, Prince Henri d'Orléans, had amassed such a large gambling debt that his father, Robert, Duke of Chartres, was forced to drop to his knees and beg his patron, Baron Maurice de Hirsch, for the money to cover the young numskull's debts of honor. Bonvalot shuddered at the thought of having to beg for the privilege of doing what he loved best.
Down the street, a crowd had gathered at his favorite newsstand, with all eyes peeled to the latest edition of Le Figaro. Bonvalot hurried to join them, and when he spotted a familiar face on the front page, he froze. He snatched the newspaper off the stand and stared at the headline with a mixture of shock and incredulity, his hand gripping the paper so tight his arms shook with excitement:

General Prejevalsky Dead

Bonvalot's pulse quickened. Can it be true? Is that Russian braggart really dead? He threw down a few centimes and grabbed the newspaper, certain that the news would send tremors throughout all the Geographical Societies of Europe. But undoubtedly it would also catch notice at the highest echelons of British Military Intelligence. Rumors had been circulating for years that General Prejevalsky had been involved in intelligence gathering activities under the guise of exploration and discovery. As it turned out, the various occupations were not mutually exclusive.
Dodging a cavalcade of horse carriages, Bonvalot dashed across the snow-covered boulevard to Café Tortoni, his home away from home, to read the article in peace.
When Bonvalot entered the café, the Maitre d'hôtel rushed over to greet him, removing the famed explorer's coat as if he were the Duke of Magenta himself.
"Monsieur Bonvalot, what an honor to see you," said the Maitre d'hôtel, beaming from ear to ear. "I've saved your favorite seat—the best in the house."
"Please don't fuss," said Bonvalot, unaccustomed to all the attention his fame brought him. "I'd prefer that quiet table over there."
"As you wish, Monsieur."
Bonvalot took a quiet table and spread the newspaper out over the linen tablecloth. Before he even looked up, the wine steward was at his side bearing the pride of the house: Chateau Lafite Rothschild 1883. He waited for Bonvalot's approval and then proceeded to pop the cork.
"Compliments of the house," said the steward, filling a sparkling glass to the brim. Then he bowed and disappeared in a whoosh.
"Merci," said Bonvalot, lifting the glass to inhale the wine's fragrant bouquet. After tasting the libation, he once again feasted his eyes on the article:

Major-General Prejevalsky, whose death was recently reported in the cablegrams was the most distinguished of all the Russian scientific explorers and one of the greatest modern authorities on Central Asia. He was a trusted officer of the Czar and had well-earned the reputation for being a bold, daring, determined, and enthusiastic pioneer of travel. He broke fresh ground in Turkestan some 15 years ago, traversing the Pamir, skirting the Chang Tang, Tibet's great Northern deserts, and penetrating the Lob-Nor. Although he succeeded in exploring portions of Northern Tibet, he was unable to make his way south into Lhasa. At the time of his death, he was about to embark on another attempt. The sudden death of Prejevalsky on the eve of another journey to Tibet, will send shock waves throughout the scientific world.

Shock waves is an understatement, thought Bonvalot, finishing off his drink and pouring himself another. With Prejevalsky dead, his biggest competitor in the race to Lhasa was out of the picture. But he was sure there were others out there, ambitious British soldiers seeking fame and glory outside the regiment, and the more covert kind of explorer, those who entered the Forbidden Kingdom disguised as Buddhist pilgrims or traders. The British were always sending their pundits to map and explore Tibet using specially designed rosary beads with 100 instead of the usual 108 beads to count their paces, compasses hidden inside their prayer wheels, and thermometers for gauging altitude secreted inside a hollowed out stick. Many of the pundits suffered unimaginable cruelty at the hand of the Tibetan authorities when their disguises were uncovered. Some simply disappeared without a trace.
But there were other problems barring his way, money being at the forefront. Organizing an expedition costs a small fortune. Bonvalot needed a sponsor who was fabulously wealthy yet didn't make too many demands. In time, he was sure he would resolve that problem as well. And once the funds were safely deposited in his bank account, he would organize the expedition of a lifetime. He would hire the bravest, most reliable guides, the best caravaneers, the sturdiest horses and use the leftover money to bribe his way to Lhasa if the situation required. By the end of next year, Bonvalot could picture himself climbing the steps of the Potala Palace to meet the famed Dalai Lama himself. He would raise the Tricolor for the glory of France and secure his place in the annals of geographical exploration for all time. Success had never tasted so sweet.
Naturally, Bonvalot would return to France with trunks filled with Tibetan gold and gemstones, rare Buddhist manuscripts, priceless statues, and if the gods of exploration were really smiling on him, maybe even the Dalai Lama himself. Bonvalot closed his eyes and pictured himself standing in front of the annual meeting of the Société de Géographie in his black tie and tails, smiling as he pulls aside a curtain to reveal His Holiness together with a royal entourage of saffron-robed monks. It would be the talk of every geographical society for years. For decades. For the rest of his life. His bank account would never again be overdrawn. He would at last be able to live down his humiliating childhood.
Bonvalot sipped his wine and smiled. At the age of thirty-five, he had made a name for himself in the competitive world of geographical exploration. Two years ago he had received the coveted gold medal of the Société de Geographie for his remarkable journey across the Pamirs to India in the middle of winter, a journey that almost cost him his life. Tall, handsome, with light brown hair, a trimmed beard, warm blue eyes, and the confidence of a troop of Legionnaires, Bonvalot looked at home on the cover of every newspaper and magazine in the country. To meet the public's insatiable craving for adventure, Bonvalot had penned numerous best-sellers about his globe-trotting travels through Central Asia. Those books brought in enough royalty checks to ensure he would never have to stoop to accepting a salaried position, but he wasn't rich by anyone's estimation.
Still, the life of an explorer had its share of pitfalls. Expeditions were fraught with hardship and danger; Bonvalot had risked life and limb on numerous occasions, but until now death had been an abstraction, like the sun-bleached skeleton of an ibex nestled along the shores of a Siberian Lake. Prejevalsky's sudden death made him think hard about his own life. How long would his streak of good fortune last?
Bonvalot chuckled at the irony of it all. Prejevalsky the larger-than-life Russian Hercules was gone and he was still alive. It was almost impossible to believe. It was, in fact, a miracle.
As an explorer, Prejevalsky was in a class all by himself. Though short of stature, his massive chest and overbearing attitude projected the image of a human locomotive. He sported a head full of thick black hair that he would grease back like an Indian Maharajah, and together with his bold features, dark eyebrows, olive complexion, and suspicious nature, Prejevalsky resembled the natives of Central Asia among whom he travelled. But he had won the greater measure of their respect by his deadly accuracy with a rifle and his unflinching use of brute force. In a heated confrontation, Prejevalsky never lost the upper hand. If necessary, he would beat his rival with a whip to win his obedience and respect. As far as rivals go, Prejevalsky was unstoppable, and now he was dead.
Bonvalot stared at the frozen image of Prejevalsky in the newspaper. "So my friend, your dream of Lhasa is over. You failed miserably."
"What do you know about my dream of Lhasa?"
Shocked, Bonvalot looked up. Sitting across from him was a disheveled tramp who had appeared out of nowhere. His face was bloated and bruised, his skin an unnatural shade of purple and covered with festering sores. His clothes, if they could be called that, were in tatters—worse than a beggar's. His hair was a tangled, filthy mess more resembling fodder than human hair. And most troubling of all, the man smelled of the sewers, of death.
Bonvalot recoiled. "Must you sit here? Find yourself another table."
"Not so fast, Monsieur Bonvalot," said the beggar in a voice that grated like wheels over gravel. "I didn't come here to ask you to open your purse. I came here to offer you something. And when you hear what I have to offer, you'll be glad that I did."
"You are here to offer me something? Go away you filthy beggar!"
The stranger's face turned menacing. He grabbed Bonvalot's arm in a vise-like grip.
"I think you'd better sit back quietly, Monsieur Bonvalot, if you don't want to cause a scene."
Bonvalot pulled his arm out of the stranger's grasp and glanced around to make sure nobody was watching. The restaurant was full of diners laughing and joking, and waving their forks in animated conversation while drinking endless glasses of wine, while an elderly Gypsy meandered around the tables serenading the diners with soft violin music. To Bonvalot's relief, no one had noticed that a filthy street beggar had wormed his way into one of Paris's most famous restaurants and commandeered Bonvalot's private table. Even the maitre d'hôtel, who was not more than twenty feet away, seemed completely oblivious to the matter at hand. Bonvalot squirmed in his seat and tried to get a grip on his mounting anger.
The stranger continued. "As I said before, I came here to make you an offer."
"I thought I told you to leave."
The beggar narrowed his eyes. "Would you like me to raise my voice and cause a scene?"
Bonvalot glared at the intruder. "Then get on with your little speech and get out."
"You said before that I failed," continued the beggar over the din of the café, "But in many ways I succeeded beyond all measure. During my third journey, I penetrated deeper into Tibet than any other European explorer in modern times. I came so close to reaching Lhasa, I was sure we would make it. At our southernmost point, I calculated our position to be no more than 160 miles away. This is a remarkable achievement given the odds we were facing. Even those celebrated Indian pundits the British sent into Tibet only managed to survey the southern and western portions of the country; they were never able to infiltrate the interior before disaster struck. But alas! Our camels held us back; those faltering beasts were completely useless at high altitudes. They grew sick and feeble, growled incessantly, and refused to get up no matter how hard I beat them. It was on account of these circumstances that I was forced to abandon the entire expedition or risk dying among those savages. But that was then. This time it can be different. I came here to offer you my services as guide on your expedition to Tibet. And if you're smart you'll accept it. I'm giving you the chance to use all my wisdom and experience. It's all up here." The beggar tapped his head. "Where I failed you can succeed. I guarantee it."
"Who the devil are you?" said Bonvalot, fighting to keep his voice contained.
The beggar smiled, showing teeth that were cracked and stained. "The greatest explorer in the world. The toast of Russia. The favorite of the Tsar. At least, I was all those things."
"Yes, and I'm Lillie Langtry, but that doesn't answer my question. Who are you and how do you know so much about Tibet?" said Bonvalot, his heart now racing.
The beggar smiled wryly. "I think you know."
Bonvalot dropped his spoon. He bent down to retrieve it and noticed the beggar was wearing boots that appeared to be made of yak fur and were caked with a strange yellow mud. He slid his pocket knife out of its sheath, cut a sample of the fur, and wrapped it in his handkerchief.
"I entered a region that was less known than the darkest Africa," continued the beggar. "Using only my iron will, I broke the backs of those damned Asiatics. But my men and I suffered terrible privations for our heroism. Many times we went hungry when there was no game. Dozens of horses and camels collapsed from sheer exhaustion. Some of them simply froze to death. The Hami desert that separates the Tian Shan from the Nan Shan was so hot at night you couldn't sleep on the ground. There were no animals, no plants, no civilized life, just salt clouds that formed into mirages that mocked us and tormented us. The wind knocked us off our feet and tore at our eyes. There was no fodder for the animals, no water to drink. And the inhabitants! They mirrored the cursed terrain with their games of treachery. They refused to sell us food, refused to provide us with guides, called us foreign devils behind our backs and sometimes right to our faces. They used every means of deceit to rob us blind. The only thing the Chinamen and the Mongol understand is the nagayka whip. Central Asia is a lawless, godless land, and only European rifles and Krupp guns can do any good there. Missionary preaching is like howling in the wilderness. The Asiatics are beyond saving."
Bonvalot's eyes grew wide. "Prejevalsky…?"
"The name is Nikolai Mikhaylovich Prejevalsky," said the beggar, bowing his head and twisting his lips in a gratuitous smile. "As you may have heard, I was never noted for my manners, never comfortable in polite society. I was only happy out there in the wilderness, far from wretched civilization. Far from the stench of humanity."
Bonvalot felt his neck grow hot with anger. "I've had enough of you. I don't know who the devil you are, but you're a despicable fraud. I'm not the least bit impressed with your little charade. Get out before I call the gendarmes. Scat!"
All at once, the beggar erupted into a violent fit of coughing that was so loud, it drowned out the clanking of pots from the kitchen, the animated conversation from the diners, and the Gypsy's hypnotic violin playing.
Bonvalot looked around, terrified the interloper would choke to death at his table and cause a hair-raising scene that would land him on the front page of Charivari—or worse. That the waiter failed to check on the situation only made him more agitated. It seemed, in fact, that no one else could hear the beggar's loud coughing, as if he wasn't really there. To mollify the situation, Bonvalot gave the filthy tramp a few half-hearted thumps on his stone cold back.
"Is that all you can do after I came here to help you?" cried the beggar, shoving Bonvalot's hand away as he spat a large clot of blood into his napkin. "You sorry French bastard! You didn't even offer me a drink! Is this what you Frenchies call good manners? I should shoot you with my revolver to teach you a lesson. Where is the damned thing?"
Bonvalot jumped out of his seat, heart pounding like a drum. The beggar rummaged through his tattered clothing for his gun with a fury that bordered on savagery. Lacking a weapon, Bonvalot searched in vain for help, but there was not a gendarme in sight. The other diners were eating and drinking to their heart's content. No one had heard the beggar's dire threat. No one knew his life was at stake.
The beggar gave up searching for his pistol and returned to his coughing spasm. Bonvalot breathed a sigh of relief, but felt his face grow hot at the humiliation of having a lowly street beggar encroach on his private table and lecture him about the rigors of Central Asian exploration. He called for the maitre d'hôtel, who came rushing over at once, corkscrew in hand.
"Oui, Monsieur Bonvalot?"
"Will you kindly escort this vagrant out of the café. He came in without permission, took over my table, and is now threatening to shoot me. He's stark raving mad and has no business being in this fine establishment."
"Certainly, Monsieur," said the maitre d'hôtel, who looked from Bonvalot to the table, then back at Bonvalot. "Excuse me," he said, looking around with a baffled expression on his face. "but which vagrant are you referring to?"

Stunned, Bonvalot stared at the chair that was now empty. Inexplicably, the stranger had vanished.



Tuesday, October 29, 2013

The 25 Sub-Categories of Historical Fiction

What is Historical Fiction?




Is it a boring lecture about history you're forced to sit through in 8th grade? Is it a bodice-ripping, powdered-wig romp? Well, yes—and no. People who immerse themselves in history say it's anything but boring. Sometimes they say it's even shocking. Reading the memoirs of a Victorian explorer, a fugitive slave, or a Concentration Camp survivor puts you in their shoes and shows you a world you never knew existed. By reading between the lines, making logical deductions, and perhaps embellishing some of the unknown, the writer of Historical Fiction can bring a one- or two-dimensional character to life. The possibilities for setting, plot, and characters are limited only by the imagination of the author. And thankfully, the possibilities for intrigue and entertainment are endless.

So what exactly is Historical Fiction? 

The generally accepted definition is a novel set in the past, usually 50 years before the date of publication. 

Now, to make things even more complicated, Amazon has added 25 sub-categories for Historical Fiction. 

Now you can search not only by setting and genre (as in thriller or suspense) but by time period as well. For those of you who like Historical Romance you may continue to search under the Romance subcategories for new releases.

For illustrative purposes, I have listed a few examples from each subcategory (with the exception of Religious and Short Stories). Pick a category at random and dive in. You never know, you might learn something your 8th grade history teacher failed to mention...

Biographical:  The White Princess, The Aviator's Wife, The Autobiography of Mrs. Tom Thumb, The Other Boleyn Girl, The Paris Wife, Paths of Glory, Bring up the Bodies, The Kingmaker's Daughter, The Spanish Queen, The Twelve Rooms of the Nile

Fantasy:  The Golem and the Jinni, Deck Z, The Spirit Keeper, The Witch's Daughter

Classics:  Dr. Zhivago, A Tale of Two Cities, Forever Amber

Mystery, Thriller & Suspense: The White Princess, The Key to Rebecca, Hornet Flight, The Odessa File, The Eye of the Needle, The Abominable, Pillars of the Earth

Regency: Mr. Darcy's Noble Connection, Mr. Darcy's Promise,  and all the Mr. Darcy Spinoffs, The Arrangement, Lord Love a Duke

Women's Fiction:  The Sisterhood, The Paris Wife, Rainwater, War Brides

African:  Roots, Cleopatra: A Life, Nefertiti: A Novel, A Spear of Summer Grass, The Heretic Queen, The Princess of Egypt Must Die, The Burning Shore

Asian:  The Last Empress, The Ghost Bride, The Far Pavilions, The Sandalwood Tree, The Maharajah's General, Race to Tibet

Australian & Oceania:  The Thorn Birds, The Light Between the Oceans, Fiji, A Wicked Deception

British: Wolf Hall, Bring up the Bodies, The Tudor Books, The Regency Books, Paths of Glory, Remarkable Creatures, The Orchid House, The Captain's Daughter, The Kingmaker's Daughter, The 
Other Boleyn Girl, The White Queen, Pillars of the Earth, Fall of Giants, Queen Elizabeth's Daughter, The Chalice, The Crown

Caribbean & Latin America: Island Beneath the Sea, The Pirate's Daughter, Brazil, 100 Years of Solitude, The General in his Labyrinth, Pirate Latitudes, Transfer Day, Wide Sargasso Sea, Island on Fire, and The Lost Diary of Alexander Hamilton

Chinese: Shanghai Girl, The Valley of Amazement, Dreams of Joy, The Ghost Bride

European: Mozart's Sister, The Girl with the Pearl Earring, Marrying Mozart, The Lost Wife, Hornet Flight, The Visit of the Royal Physician, Loving Søren, The Time in Between

French:  An Officer and a Spy, Day of the Jackal, Sarah's Key, A Place of Greater Safety, Claude and Camille, Sunflowers, Madame Tussaud, The Lavender Garden, Paris

German: She Wore only White, City of Women, All Quiet on the Western Front

Irish:  The Girl on the Cliff, The Princes of Ireland, The Yellow House, Galway Bay

Italian:  The Shoemaker's Wife, The Midwife of Venice, The Contessa's Vendetta, The Light in the Ruins, The Book of Madness & Cures

Japanese: Memoirs of a Geisha, King Rat, Shogun, The Gilded Fan, the Mask Carver's Son

Middle Eastern: The Haj, Exodus, Jasmine Nights, Jerusalem Maiden, Birds Without Wings, The Source, The Dovekeepers, Ben-Hur

Norse & Icelandic: Burial Rites, Oleanna,

Russian:  Rasputin's Shadow, The Winter Palace,  The Russian Concubine, Dr. Zhivago, The Autobiography of Joseph Stalin, Most Beautiful Princess

Scottish: Drums of Autumn and Anything with Highlander in the title

United States Gone with the Wind, The Writing Master  Centennial North and South, Lonesome Dove, The Kitchen House, The Wedding Gift, The House Girl, Mrs. Poe, The Signature of All Things, Hawaii, The Help, Water for Elephants, The Winds of War, War and Remembrance

Saturday, June 8, 2013

The 5 essential elements for every good story


By Keith Ogorek

Over the past year, I have had the opportunity to be part of three Book-to-Screen Pitchfests where authors  learn how to pitch their book as an idea for adaptation for film or television and then have the opportunity  to pitch to entertainment executives in a speed-dating like setting. They have been great events for the authors and the entertainment executives alike. There have been hundreds of requests for different books.  One has been optioned and there are a number of others that are under consideration.
If you break down every great story, it has these elements
What has been most interesting to me is  no matter what the genre, there are some common elements to every great story. The books that get noticed have these elements. The books that Hollywood execs often pass on are missing one or more of these.  In fact one exec said to me, “If you break down every great story, it has these elements”. So what are they?
1.          An inciting action. This means open the story with some event that sets the characters and action in motion.  Get my attention in the beginning and give me a reason why I am going to care about the people and the story going forward.
2.          Conflict. There needs to be some challenge to overcome or some quest or mystery. The character or characters need to have some type of struggle.
3.          Resolution. Make sure the conflict gets resolved by the end of the book and don’t come up with some crazy way to solve the matter. One thing I have noticed about authors’ books that get close to being requested, but often get a pass is the resolution to their story doesn’t make sense. They set up the conflict, make the characters interesting and then resolve it with something that comes out of the blue. In their efforts to be creative, they end up making the ending implausible and that hurts the story.
4.          Protagonist. Give me a character I want to care about and can understand. Help me understand why they do what they do. Sounds simple, but it is very challenging.
5.          Antagonist. Life is often about struggle and opposition and so great stories present those challenges as well. Many times it takes the form of a person. As with the protagonist, make the antagonist interesting. Help me understand why he or she presents the opposition.
Now none of these five elements should be surprising, but I have been somewhat surprised at how some books are missing one of these elements, have them underdeveloped or make them implausible. How about your story? It would be could to do a quick review of your manuscript to see if you have these elements included. All good stories do.


Monday, May 6, 2013

Preview: Race to Tibet

Race to Tibet
3 Courageous Explorers Determined To Be the First Living European To Reach Lhasa.
1 Woman on a Quest To Find Her Missing Husband.
What they discover is a land of mystery and intrigue, a land of danger that promises them only one thing:  death.

In the end, just one of these intrepid adventurers will succeed  in reaching Tibet, but he will be haunted by it for the rest of his life.



"Race to Tibet" is the story of Gabriel Bonvalot, the determined, but overconfident French explorer whose greatest ambition is to be the first living European to reach Lhasa, the forbidden capital of Tibet

When the pretender to the French throne, Robert, Duke of Chartres, offers to finance Bonvalot's latest expedition on condition that he take along his dissolute son, Prince Henri d'Orléans, Bonvalot's dream seems almost guaranteed. Before he leaves, Bonvalot is approached by a beautiful young woman, Camille de Villiers, who offers to pay him 2,000 francs to join his caravan so she can search for her husband who disappeared among the passes. Bonvalot refuses, and he and Prince Henri set off. Along the way, Bonvalot is plagued by debilitating hallucinations brought on by the dead Russian explorer, Nikolai Prejevalsky, who is drawing Bonvalot deeper under his spell, giving him advice that is calculated to kill him the closer he gets to Lhasa

Unbeknownst to Bonvalot, a pair of rival explorers, Francis Younghusband and the Russian Bronislav Grombchevsky, are also mounting their own expeditions to Tibet, and will do anything to sabotage Bonvalot's chances. When Bonvalot reaches the Russian Consulate in Kuldja, Turkestan, he meets up with Camille once again. She has been holed up there for weeks, trying to put together her own caravan, but has not been able to recruit any of the local guides. The Consul begs Bonvalot to take her off his hands, which Bonvalot agrees to do, but only on condition that the resident Belgian missionary, Father Dedeken—who is fluent in Chinese—accompanies his caravan to Tibet.

During the journey, Bonvalot's caravan runs into a gamut of problems from freezing temperatures to impossible altitudes, blinding sandstorms, snow squalls, suspicious Tibetans, hostile Chinese Ambans, and brutal nomadic bandits. When Camille learns the truth about her husband, she decides to take revenge, a miscalculation that almost costs them their lives. Pushed to the brink of his physical and mental limits, Bonvalot must decide if reaching Lhasa is worth paying the ultimate price. In the end, only one of these three explorers will succeed in reaching Lhasa, but he will be haunted by it for the rest of his life.


Inspired by a True Story
Coming in 2014

When everyone is dead, the Great Game is finished. Not before.
—Rudyard Kipling



Wednesday, April 3, 2013

Historical Novelists' 4 Day Book Fair April 12-15


Introducing:  Spy Island


A Girl. A Deserter. An Island full of spies.

Spy Island is an historical spy thriller for the adventure-lover in you. Prepare to be carried away to a tropical island with its potent mixture of suspense, romance, intrigue, and a delightful assortment of island characters who will cast a spell over you. 

If you can imagine a tropical Danish sugar colony during the Great War replete with German spy characters, Old World Danish characters, colorful West Indian characters, Irish sailor characters, blazing Luger pistols, a mad Voodoo Queen, and a daunting & resourceful heroine, then you have a good picture of Spy Island.



Abby Maduro is an adventurous island girl who saves the life of a mysterious stranger who has washed ashore on her Caribbean island. Despite the danger, Abby shelters Erich Seibold, a handsome sailor with a mysterious past, in the basement of her house. Soon, friendship and love blossom between the unlikely pair, even after Abby learns that Erich is a deserter from a German U-boat. When the island's German Consul, Lothar Langsdorff, discovers Erich's true identity, he blackmails him into committing sabotage and murder. Erich is hunted down and thrown into prison, forcing Abigail to risk everything to save his life, but with Langsdorff and his spy ring still on the loose, Abigail relies on her wits, bravery and a little island magic to save her tranquil island from a dangerous German spy. Spy Island is a historical spy thriller for the adventure-lover in you. Prepare to be carried away to an exotic tropical island with its potent mixture of action, suspense, romance, and delightful island characters who will cast their spell over you. 

Danish gendarme with trusty revolver and sword in a tropical Danish colony circa 1916.
Excerpt:
The office of Assistant Policemaster Peter Larsen juts out from the interior walls of Fort Christian into the courtyard—like a tiny fortress within a fortress—and boasts an enormous wooden desk, a filing cabinet, and a rotating fan whose loud whirring drowns out the din of the prisoners. The policeman knocks on the door and waits for permission to enter.
Larsen, a middle-aged bureaucrat with a curly mustache and wearing a white, single-breasted tunic, sits upright at his desk, composing a letter in elegant Danish longhand. The only other objects that occupy his prominent desk are a large police registry book, an inkwell, and a copy of the Tidende. Hanging on the walls behind him are pictures of King Christian X and Queen Alexandrine, who gaze down on the proceedings with the proper noblesse oblige.
"Chief Larsen," says the policeman, jingling his keys. "A girl came here sayin' she brought food for de no-name prisoner. Says she wants to see him."
"If it's food she brings, you may show her in," says Larsen without bothering to look up. The policeman snatches a jagged key off a hook on the wall and says, "Dis way, Miss."
I trail the policeman through the courtyard, attempting to avert my gaze from the hissing prisoners as I search for any sign of Erich. We halt in front of a cell in the prison's southern wall. With my heart beating wildly in my chest, I peer through the bars, hoping that at last I will see Erich. When my eyes finally adjust to the darkness, I make out its sparse furnishings: a metal bed, a thin, dirty mattress, a yellowed, threadbare sheet, a porcelain receptacle in a corner, a pile of cigarette stubs on the floor. Sitting on the bed with his back to us is a silent, sulking prisoner.
"Put that basket down and run along," says the policeman. "Dese prisoners are a violent, rowdy bunch."
"Please Sir, I have to see this man. He has no family to bring him food. I must give it to him myself. I'm the only person he trusts."
"You have five minutes and no more, then be on your way," he commands, inserting the key in the lock and calling out, "Hey Kaiser man, you have a visitor."
When the prisoner turns around, my relief is boundless. Although his face is obscured by the shadows, I have no doubt that it's Erich. As soon as he sees me, Erich bolts upright and starts toward us, but the jailer holds up a huge, powerful hand.
"Not so fast, Kaiser man," he yells. "Stop right dere. Talk from ovah dere."
The policeman turns and retraces his steps through the courtyard, leaving us alone for a few precious minutes. With the door ajar, I slip inside Erich's cell and throw my arms around him.
"Erich! I thought I'd never see you again. Are you alright?"
"I’m fine," he says, with a mixture of shock and relief. "And what about you? How the devil did you manage to get in here?"
"I have my ways," I say. "I did what anybody would do under the circumstances. I had to see you again, no matter what. What are they going to do to you?"
"They're charging me with espionage, but only after they hand me over to the Allies for interrogation. We might as well say goodbye now, Abby. I'm sure I'll never see you again."  
I hiss in his ear. "Listen carefully. I'm going to get you out of here. Just do as I say…we've no time to lose."
"What? You must be crazy!"
"I'm quite serious," I affirm, pulling out the gendarme uniform. "This is our only chance. Put it on quick. The outside gate is still unlocked and there's only one policeman on duty right now. Larsen's in his office daydreaming and if you hurry, you might be able to slip through the front gate. I calculate you have about two minutes."
Erich's eyes go wide as he assesses the uniform. He tears off his clothing and pulls on the uniform with a ferocity I have never seen. First the jacket, carefully fastening all of its buttons as he mutters, "This is the craziest thing I've ever heard" and then the trousers. Finally, he replaces his shoes. He smooths back his hair, tops it off with the cap, and lowers it until it almost conceals his eyes.
"If they catch me, they'll shoot me. You realize that, don't you?"
"Shhh!" I caution. "He's coming back." 


Danish sailors and naval marching band parading down a street
in Fredericksted,  St. Croix, 1916

Charlotte Amalie, once an important sea port in the Danish West Indies
 looking just like it did during Danish times.
Typical island scene as painted by Danish artist Hugo Larsen ca. 1904-07
Danish gendarmes and police posing in front of portraits of King Frederick VIII and Queen Louise
Fort Christian, the site of a suspenseful prison breakout scene in Spy Island
Another gorgeous painting by Hugo Larsen
The National Bank of the Danish West Indies, the site of a tense scene with a mad Voodoo Queen.
Important Danish officials and sea captains await the final lowering of the Dannebrog at the side of Fort Christian.
Post Office Square, just in front of the Grand Hotel


Aerial photo St. Thomas Harbor and Hassel Island © Don Hebert
Here is a link to the kindle version of Spy Island. Treat yourself today!
http://www.amazon.com/Spy-Island-ebook/dp/B00AZRLXV8/ref=tmm_kin_title_0?ie=UTF8&qid=1365028922&sr=8-1

Sunday, March 17, 2013

To kill off or not to kill off: Some thoughts on killing off a character


I was several years into writing my first novel, a spy thriller, when I had a sudden revelation. If I changed the nationality of a beloved character, I could breathe new life into him. Let me give you an example. In my novel, "Spy Island", the protagonist, a girl named Abigail, is compelled to cross the Caribbean Sea by steamer during WWI to live with her spinster aunt. On the journey, she strikes up a friendship with her room steward, a plucky Venezuelan named José whose character is vital because he teaches Abigail all about the nature of German spies and how she can protect herself from catastrophe. In so doing, José awakens in Abigail an innate love of adventure and intrigue that drives the story forward.

Yet something about José's character remained flat; I couldn't make him dance off the pages. He was nice and everything, but not memorable. And then I had the afore-mentioned revelation. If I turned José into Ian, an Irish sailor, I could incorporate those witty Irish expressions and that unmistakable Irish sense of humor that wraps around you like a Shamrock wool blanket. I recall wrinkling my brow at the notion. Could I do that? I asked myself. Could I just wave my pen and turn José from Maracaibo into an Irishman? Well, I did. And all at once, José took on a whole new life. As Ian, his Irish red hair burned the pages of my manuscript. His Cheshire cat grin, his twinkling eyes, his Gaelic sense of humor and manner of speaking, and his vulnerability captivated my Writing Class. And now we come to the "killing off part". Out of a sense of duty and patriotism, Ian stalks a wanted German spy and turns up dead—a corpse lying in a pool of blood—on the boat deck.

Could this be Ian McShane, our intrepid Irish sailor/amateur sleuth?
The ladies in my Writing Group bristled at the notion. They demanded a rewrite. "But it's crucial to the development of my story," I argued. "If Ian doesn't die, Abigail has no reason to hunt down German spies."  They shook their heads. "Change it!" they demanded. Again my brow wrinkled. Change it? And so, pen in hand, I kept the ominous pool of blood but removed the corpse. The ladies were satisfied. But the question remains. When is it appropriate to kill off a character?

In Peter Benchley's "Jaws", the death of the beautiful, young Chrissie, is the inciting incident for the entire novel. Her death and the subsequent death of a schoolboy are what arouse the feelings of horror and revenge in the protagonist. Likewise, in Sarah's Key" by Tatiana de Rosnay, the tenuous fate of little boy locked up in the closet gives his sister a vital purpose. She must escape in order to save him. Other times, the death of a character gives a novel a natural ending. Think "Rainwater" by Sandra Brown, "Sunflowers" by Sheramy Bundrick, and "Anna Karenina" by Tolstoy. In these cases, the death of a main character signals either a peaceful closure or an ignoble ending.

According to Codey Amprim in Killing off Characters-Knowing When to Drop the Guillotine, there are three conditions to killing off a character:

1) Moving the plot forward. There must be a valid reason for killing off the character and not just as a convenient way of removing him from the story. Make sure a valid outcome arises from his death.
2) Are you killing the character merely for dramatic purposes? Are you trying to shock or frighten your reader like in a horror novel, or does his death enhance or improve the story?
3) Before killing off the character, consider the bond between you, the character and the audience. According to Amprim, some writers become so attached to their characters that they make sure their life is like an aspirin commercial: they're always bundled before they go out and their insurance premiums are always paid. In certain cases, that is a form of torture to the reader because they read to vicariously experience danger through those characters. There are valid and appropriate reasons for killing off certain characters, but withholding the axe may hurt more.
In the final analysis, killing off a character finishes off that part of the story. If his death doesn't cause an unnatural break in the narrative flow or doesn't leave gaping holes in the plot, readers will generally forgive you. But tread carefully. In the words of one blogger, make sure his death doesn't make them want to throw your book across the room.
Writers and Readers:  Let me know what you think.  Did you ever get furious when a beloved character in a favorite novel was killed off?

Source:
http://mythicscribes.com/character-development/killing-off-characters/

Sunday, March 10, 2013

Traveling the World through Historical Fiction


In a recent review of Spy Island, a book blogger writes, "Sophie really managed to make me feel like I was right there with the characters in this (novel) and it added a lot to my enjoyment of the book. Plus it's made me feel as if I need to travel to these places." Naturally the book reviewer got me to thinking, when did my fascination with exotic and mysterious settings first take root?

One of my fondest childhood memories is the day my fourth grade class discovered a new book sitting  unobtrusively on our library shelf. One glance at the title, The Cay by Theodore Taylor, and its depiction of castaways on a deserted beach, and we proceeded to fight tooth and nail over the book. Over the next several weeks, The Cay was the most checked-out book in our school library. And for good reason. The protagonist, Phillip, was easy going and likable, and Timothy, the elderly deckhand from Charlotte Amalie, could have been any one of the old men we saw playing dominoes on the waterfront, or over at Market Square. Taylor's characters and settings were so real, they captured life in Willemstad, Curaçao, and the deserted cay to perfection. The book recreates the feeling you get when a good friend travels to an exotic location and tells you all these first-hand, intimate details about his experiences. I dreamt of traveling to Willemstad Curaçao—now a UNESCO world heritage site—for over 20 years until I finally flew down and saw it for myself. Part of the reason was to catch a glimpse of Phillip hidden somewhere among the colorful denizens of Willemstad.
Willemstad, Curacao, Netherlands Antilles
Another historical novel with an exotic location that captured my childhood imagination was Exodus by Leon Uris. Uris' retelling of the legendary story of a ragtag group of Jewish refugees who make it to the modern-day land of Israel, and then successfully wrest control away from the British Mandate is nothing short of miraculous. Uris' descriptions of Jerusalem, the Jezreel Valley, Acre, Haifa and even Cyprus fascinate the reader, and make him feel as though he is experiencing the events first hand. His characters are flesh and blood people, with all their human quirks and failings. But like all true heroes, they inspire the reader to not just sit back and observe life's events like a spectator, but to strive to somehow make a difference in the world.

Standing at a height of 29,029 feet, and straddling the borders of Nepal and Tibet, Mount Everest is undoubtedly one of the world's most inaccessible spots. Yet despite the tremendous odds of dying on the mountain, the lure of conquering Mount Everest continues to haunt mankind's more daring elements. In addition, the Himalayas hold a strong spiritual and geographical fascination, and none possessed it more ardently than George Mallory, a British mountaineer who set off in 1924 with the young, inexperienced Andrew Irvine to conquer the roof of the world. Lovers of Historical Fiction who relish the chance to relive this epic adventure can find it in Paths of Glory by Jeffrey Archer, a marvelous retelling of this heroic and unforgettable tale.
Mount Everest
The Thorn Birds took the world by storm with its searing depictions of life in Australia's Outback and its cast of unforgettable characters who struggle against life's obstacles and tragedies. The imagery of sheep country is unflinching; the characters are almost feral in their realism. The Thorn Birds is one of historical fiction's greatest crowning achievements for its grand scope and its minute attention to detail. But through it all, the single unchanging element is Australia, a land that can never quite be tamed.

A Graham Greene novel is a like a travelogue of expatriate communities in former colonies around the globe. Take for example The Heart of the Matter, which takes place in Sierra Leone, or Our Man in Havana, which takes place in Cuba on the brink of revolution, or The Comedians, which takes place in Haiti, Greene's novels accurately portray the culture, setting, and the political turmoil and upheavals that the citizens faced on a daily basis. While not technically historical fiction since the events depicted occurred during Greene's lifetime, the novels are excellent research material for writers looking for an accurate depiction of the mindset, attitudes, and behaviors of people who lived during some of the most epochal times of the early 20th Century.
Havana, with its cavalcade of perfectly preserved 1950's era automobiles.