Monday, April 14, 2014
Monday, April 7, 2014
In the Author's Corner with Etienne Gibbs on Blog Talk Radio
Join me on Blog Talk Radio where I discuss the writing and researching of Transfer Day (Spy Island):
Thank you again to Etienne Gibbs for a great interview. I really enjoyed it!
http://www.blogtalkradio.com/intheauthorscornerwithetienne/2014/04/07/sophie-schillers-danish-transfer-1
Thank you again to Etienne Gibbs for a great interview. I really enjoyed it!
Wednesday, April 2, 2014
Guest Post by Literary Agent Josh Getzler
Plot BIGNESS
Josh Getzler
Recently, my assistant, Danielle, and I were discussing a number of queries we had received where the setup and buildup were outstanding, the manuscript was rolling along, we were wondering “Hmm, I wonder how this will play out,” and then…
BANG—Conspiracy of Templars!
BANG—The evil bully is actually an alien!!
BANG—The GOVERNMENT is out to get the 12 year old!
(No, this is not about any specific query, but a type. If you think this is about YOUR query, read on, then revise!)
OK, so here’s the thing: If you are writing a big international thriller, a YA adventure with Save-the-world written all over it, or epic fantasy, then fine. Go ahead with the Uncle Who’s Really a Triple Agent from the 28th Century.
But the books we were reading where this was happening were smaller in scope; mysteries and domestic dramas and YA novels that were, in some fundamental ways, cozier than that. It’s not necessary for a kid to find enough nitroglycerin to destroy the world three times over in the neighbor’s garage; he can find a stash of stolen art or his father's old service revolver. The bad apple down the block could have issues smaller than being three light years from the planet Xenon.
My point is pretty basic. Most novels have a built-in scope, where the reader is nodding along and where the suspension of disbelief is reasonable. When a writer, for reasons of ambition or because it seems cool, or in order to work out a tricky plot point, goes beyond scope, it is jarring. Eyes roll. We ask “Why?” We don’t want to read further, or we ask the author to walk it back.
Sometimes the writer will make a reasonable point: “We always hear that books need to be BIG in order to ‘make an impact in the market,’ and that’s what I was trying to do.” OK, fair enough. But almost all the time, the issue is far less about the true Bigness of the story and more about trying to compensate for a plot deficit.
And also understand, I’m not saying don’t be ambitious. I don’t want only tidy dramas in small towns or, you know,Good Expectations. But when you are thinking “OK, what if the dog can fly?” PLEASE be sure that you set it up that the spaniel drank a whole mess of magical non-poisonous jet fuel for dinner.
Thursday, March 6, 2014
Tagged!
I have been tagged by Australian writer Elizabeth Jane
Corbett to share my writing process in the “Tagged” blog tour. When not
writing,
|
Tibet by Nicholas Roerich courtesty of the Nicholas Roerich Museum, Manhattan |
What am I working on?
"Race to Tibet " is a historical novel that tells a thrilling tale of high-altitude adventure and survival set in the
world's most forbidden country: Tibet. It is based on the true story of three courageous
explorers who are determined to be the first living European to reach Lhasa during the age of
Victorian Exploration.
When these intrepid adventurers
reach Tibet ,
they discover a land of mystery and intrigue, a land of danger that promises
them only one thing: death. In the end, only one of these
explorers will fulfill his lifelong dream of reaching Lhasa , but he will spend the rest of his life haunted by it.
How does my work differ from others in its genre?
I have yet to find any substantial work based on the same
theme. There is one book by the English writer, Mike Scholey, called
"Beads of Water, Drops of Gold", but it tells the story of the 1904
Tibetan invasion from the point of view of Sir Francis Younghusband, whereas my
story starts in 1889 and tells a much broader story about three distinct
explorers, Francis Younghusband, Gabriel Bonvalot, and Bronislav Grombchevsky,
who were all vying to be the first living European to reach Lhasa. I was
inspired to write a novel set in the Himalayas after reading the novel "Paths of
Glory" by Jeffrey Archer, but that's where any similarity ends. Archer's
book is solely about George Mallory's attempts at conquering Mount
Everest whereas my book narrates the adventures of three distinct explorers
who set out on life-threatening expeditions between 1889-1890.
![]() |
Gabriel Bonvalot, your average intrepid Victorian explorer |
Why do I write what I write?
This story was a dream come true. I found it by chance, so, in a certain sense, I feel as if I was personally chosen to tell this tale. The amazing story of Gabriel Bonvalot was languishing in libraries around the world for over a hundred years and was dying to be retold in a novel. Had it not been for the geniuses of Google (specifically Larry Page), who came up with the brilliant idea of digitizing the worlds' books and making them searchable and accessible to all of mankind, Bonvalot's story might have stayed buried forever. So, in answer to the question, I'd have to say: when I find a story that captivates me that has never been told before, I immerse myself in that world and go to work bringing the story to life one scene at a time.
How does my writing process work?
I start with research, deep, intensive research. I download and purchase every book on the subject. Using legal-sized notepads, I write down everything relevant to the story or to the time period, such as eating habits, drinking habits, attitudes, unusual observations, medicines, bureaucratic dilemmas, folk remedies, speech habits, etc. Ditto with paper books. I highlight and underline everything I need to tell the story. This process can take a year to a year and a half. Then I sit down and start plotting the novel and creating scenes. I love to start by introducing the characters and building them up as interesting personalities. I keep the action moving forward and build suspense.
I hope you will enjoy "Race to Tibet" when it's released and I love to hear readers' comments and observations.
Thursday, January 2, 2014
A Sneak Peak at "Race to Tibet" Coming in 2014
Race to Tibet
Race to Tibet
is a thrilling tale of high-altitude adventure and survival set in the world's
most forbidden country: Tibet
Race to Tibet is based on the true story of three intrepid explorers, Gabriel Bonvalot, Francis Younghusband, and Bronislav Grombchevsky, who are competing to be the first living European to reach Lhasa . It is also the
story of a woman who is determined to find her missing husband who disappeared
inside Tibet —no
matter the cost. What these explorers discover is a land of mystery and intrigue,
a land of danger that promises them only one thing: death.
CHAPTER 1
December, 1888
Strolling down the Boulevard des
Italiens, Gabriel Bonvalot resembled any other well-dressed Parisian in his
sack suit, top hat, and overcoat, but his mind was miles away. Worlds away to
be exact. In his fertile imagination, drifts of snow became the snow-capped mountains
of the Hindu Kush . The wind howling in his
ears was the Pamir wolf, and the River Seine glistened like the turquoise lakes
of Turkestan .
As France 's most celebrated explorer,
Gabriel Bonvalot was obsessed with traveling to the four corners of the globe. And
when he wasn't out trekking on some windswept pass high up in the Himalayas , he was thinking of ingenious ways of getting there.
Even sickness and ill health couldn't stop his mind from wandering to far-flung
lands. When confined to his bed during a lengthy recuperation from rheumatic
fever that he'd picked up while crossing the Pamir Mountains ,
Bonvalot's greatest pleasure was to leaf through his trusty Schrader Atlas and let
his eyes wander over the mountains, rivers, valleys, and lakes. From the
volume's dusty pages, mountain peaks would burst forth, joined by forests of
pine and oak trees that sprang up like dandelions, bowing and swaying from a
blast of cold Siberian wind, while shimmering blue rivers snaked down to
fertile orchards of apple, almond, and apricot trees.
To Gabriel Bonvalot, a map was a living,
breathing world. And when his eyelids grew too heavy, and sleep was about to
overtake him, an imaginary snowfall would fall across his bed, prompting him to
close the atlas, pull up the covers, and fall into a deep, restful slumber.
When pressed, Bonvalot would always
insist that geography was more than the mere study of maps, surveys, and charts
as found in countless volumes languishing in dusty libraries around the world. Geography
was, in fact, an adventure waiting to be explored. A costly adventure, to be sure, but one that filled all his waking
and all his sleeping hours.
But the world of exploration was
not without its hazards. Bonvalot would always caution the prudent explorer to
forever be on his guard and keep his Winchester
close at hand. From roving bands of brigands, to hostile border guards, to
mercenaries and pirates, travelers needed more than luck to reach their goal.
They needed a quick trigger finger or an open purse. And then there were the unseen
maladies that could stop even the hardiest explorer in his tracks, like cholera
and dysentery as explained by great men of science like Pasteur and Koch in
their medicinal doctrine of microbes. As demonstrated by the mighty
Prejevalsky, these tiny devils could reduce even a Goliath of a man to his sick
bed. But aside from the obvious perils, Bonvalot's greatest worry was money. The
art of coaxing money out of fickle coffers was almost as difficult as
extracting gold teeth from reluctant mouths. An expedition of any size was an expensive
endeavor that could end in failure and bankruptcy. After his last journey
across the Pamirs had almost cost him his life, the price of high-risk travel
was greater than ever. Looking back on that fiasco, when his journey across the
Roof of the World had left him frostbitten, starved, snow-blind, and locked up
in a Chitral dungeon, Bonvalot knew he would need an extraordinary success to seal
his name in the annals of geography.
This time he would go for the grand
prize.
Bonvalot's dream was to be the
first living European to reach Lhasa , the
forbidden—and therefore enticing—capital of Tibet . But it would not be easy.
Times were hard; money was scarce. Even the royal family had had their share of
money woes. There were rumors that the young pretender to the French throne,
Prince Henri d'Orléans, had amassed such a large gambling debt that his father,
Robert, Duke of Chartres, was forced to drop to his knees and beg his patron, Baron
Maurice de Hirsch, for the money to cover the young numskull's debts of honor.
Bonvalot shuddered at the thought of having to beg for the privilege of doing
what he loved best.
Down the street, a crowd had gathered
at his favorite newsstand, with all eyes peeled to the latest edition of Le Figaro. Bonvalot hurried to join
them, and when he spotted a familiar face on the front page, he froze. He snatched
the newspaper off the stand and stared at the headline with a mixture of shock
and incredulity, his hand gripping the paper so tight his arms shook with
excitement:
General Prejevalsky Dead
Bonvalot's pulse quickened. Can it be true? Is that Russian braggart
really dead? He threw down a few centimes and grabbed the newspaper,
certain that the news would send tremors throughout all the Geographical Societies
of Europe. But undoubtedly it would also catch notice at the highest echelons
of British Military Intelligence. Rumors had been circulating for years that
General Prejevalsky had been involved in intelligence gathering activities under
the guise of exploration and discovery. As it turned out, the various occupations
were not mutually exclusive.
Dodging a cavalcade of horse
carriages, Bonvalot dashed across the snow-covered boulevard to Café Tortoni,
his home away from home, to read the article in peace.
When Bonvalot entered the café, the
Maitre d'hôtel rushed over to greet him, removing the famed explorer's coat as
if he were the Duke of Magenta himself.
"Monsieur Bonvalot, what an
honor to see you," said the Maitre d'hôtel, beaming from ear to ear.
"I've saved your favorite seat—the best in the house."
"Please don't fuss," said
Bonvalot, unaccustomed to all the attention his fame brought him. "I'd
prefer that quiet table over there."
"As you wish, Monsieur."
Bonvalot took a quiet table and spread
the newspaper out over the linen tablecloth. Before he even looked up, the wine
steward was at his side bearing the pride of the house: Chateau Lafite
Rothschild 1883. He waited for Bonvalot's approval and then proceeded to pop
the cork.
"Compliments of the
house," said the steward, filling a sparkling glass to the brim. Then he bowed
and disappeared in a whoosh.
"Merci," said Bonvalot, lifting the glass to inhale the wine's fragrant
bouquet. After tasting the libation, he once again feasted his eyes on the article:
Major-General Prejevalsky, whose death was recently reported in the
cablegrams was the most distinguished of all the Russian scientific explorers
and one of the greatest modern authorities on Central Asia .
He was a trusted officer of the Czar and had well-earned the reputation for
being a bold, daring, determined, and enthusiastic pioneer of travel. He broke
fresh ground in Turkestan some 15 years ago, traversing the Pamir, skirting the
Chang Tang, Tibet's great Northern deserts, and penetrating the Lob-Nor.
Although he succeeded in exploring portions of Northern Tibet, he was unable to
make his way south into Lhasa .
At the time of his death, he was about to embark on another attempt. The sudden
death of Prejevalsky on the eve of another journey to Tibet , will send shock waves
throughout the scientific world.
Shock
waves is an understatement, thought Bonvalot, finishing off his drink and
pouring himself another. With Prejevalsky dead, his biggest competitor in the race
to Lhasa was out
of the picture. But he was sure there were others out there, ambitious British
soldiers seeking fame and glory outside the regiment, and the more covert kind
of explorer, those who entered the Forbidden
Kingdom disguised as
Buddhist pilgrims or traders. The British were always sending their pundits to
map and explore Tibet
using specially designed rosary beads with 100 instead of the usual 108 beads
to count their paces, compasses hidden inside their prayer wheels, and
thermometers for gauging altitude secreted inside a hollowed out stick. Many of
the pundits suffered unimaginable cruelty at the hand of the Tibetan
authorities when their disguises were uncovered. Some simply disappeared
without a trace.
But there were other problems
barring his way, money being at the forefront. Organizing an expedition costs a
small fortune. Bonvalot needed a sponsor who was fabulously wealthy yet didn't
make too many demands. In time, he was sure he would resolve that problem as
well. And once the funds were safely deposited in his bank account, he would organize
the expedition of a lifetime. He would hire the bravest, most reliable guides,
the best caravaneers, the sturdiest horses and use the leftover money to bribe
his way to Lhasa
if the situation required. By the end of next year, Bonvalot could picture
himself climbing the steps of the Potala
Palace to meet the famed Dalai
Lama himself. He would raise the Tricolor for the glory of France and
secure his place in the annals of geographical exploration for all time. Success
had never tasted so sweet.
Naturally, Bonvalot would return to
France
with trunks filled with Tibetan gold and gemstones, rare Buddhist manuscripts,
priceless statues, and if the gods of exploration were really smiling on him, maybe
even the Dalai Lama himself. Bonvalot closed his eyes and pictured himself standing
in front of the annual meeting of the Société de Géographie in his black tie
and tails, smiling as he pulls aside a curtain to reveal His Holiness together with
a royal entourage of saffron-robed monks. It would be the talk of every
geographical society for years. For decades. For the rest of his life. His bank
account would never again be overdrawn. He would at last be able to live down
his humiliating childhood.
Bonvalot sipped his wine and
smiled. At the age of thirty-five, he had made a name for himself in the
competitive world of geographical exploration. Two years ago he had received
the coveted gold medal of the Société de Geographie for his remarkable journey
across the Pamirs to India
in the middle of winter, a journey that almost cost him his life. Tall,
handsome, with light brown hair, a trimmed beard, warm blue eyes, and the
confidence of a troop of Legionnaires, Bonvalot looked at home on the cover of
every newspaper and magazine in the country. To meet the public's insatiable
craving for adventure, Bonvalot had penned numerous best-sellers about his globe-trotting
travels through Central Asia . Those books
brought in enough royalty checks to ensure he would never have to stoop to accepting
a salaried position, but he wasn't rich by anyone's estimation.
Still, the life of an explorer had its
share of pitfalls. Expeditions were fraught with hardship and danger; Bonvalot had
risked life and limb on numerous occasions, but until now death had been an
abstraction, like the sun-bleached skeleton of an ibex nestled along the shores
of a Siberian Lake . Prejevalsky's sudden death made
him think hard about his own life. How long would his streak of good fortune
last?
Bonvalot chuckled at the irony of
it all. Prejevalsky the larger-than-life Russian Hercules was gone and he was still
alive. It was almost impossible to believe. It was, in fact, a miracle.
As an explorer, Prejevalsky was in
a class all by himself. Though short of stature, his massive chest and
overbearing attitude projected the image of a human locomotive. He sported a
head full of thick black hair that he would grease back like an Indian
Maharajah, and together with his bold features, dark eyebrows, olive complexion,
and suspicious nature, Prejevalsky resembled the natives of Central
Asia among whom he travelled. But he had won the greater measure of
their respect by his deadly accuracy with a rifle and his unflinching use of
brute force. In a heated confrontation, Prejevalsky never lost the upper hand.
If necessary, he would beat his rival with a whip to win his obedience and
respect. As far as rivals go, Prejevalsky was unstoppable, and now he was dead.
Bonvalot stared at the frozen image
of Prejevalsky in the newspaper. "So my friend, your dream of Lhasa is over. You failed
miserably."
"What do you know about my
dream of Lhasa ?"
Shocked, Bonvalot looked up.
Sitting across from him was a disheveled tramp who had appeared out of nowhere.
His face was bloated and bruised, his skin an unnatural shade of purple and
covered with festering sores. His clothes, if they could be called that, were
in tatters—worse than a beggar's. His hair was a tangled, filthy mess more resembling
fodder than human hair. And most troubling of all, the man smelled of the
sewers, of death.
Bonvalot recoiled. "Must you
sit here? Find yourself another table."
"Not so fast, Monsieur
Bonvalot," said the beggar in a voice that grated like wheels over gravel.
"I didn't come here to ask you to open your purse. I came here to offer you something. And when you hear what I
have to offer, you'll be glad that I did."
"You are here to offer me
something? Go away you filthy beggar!"
The stranger's face turned
menacing. He grabbed Bonvalot's arm in a vise-like grip.
"I think you'd better sit back
quietly, Monsieur Bonvalot, if you don't want to cause a scene."
Bonvalot pulled his arm out of the
stranger's grasp and glanced around to make sure nobody was watching. The
restaurant was full of diners laughing and joking, and waving their forks in
animated conversation while drinking endless glasses of wine, while an elderly
Gypsy meandered around the tables serenading the diners with soft violin music.
To Bonvalot's relief, no one had noticed that a filthy street beggar had wormed
his way into one of Paris 's
most famous restaurants and commandeered Bonvalot's private table. Even the
maitre d'hôtel, who was not more than twenty feet away, seemed completely oblivious
to the matter at hand. Bonvalot squirmed in his seat and tried to get a grip on
his mounting anger.
The stranger continued. "As I
said before, I came here to make you an offer."
"I thought I told you to
leave."
The beggar narrowed his eyes.
"Would you like me to raise my voice and cause a scene?"
Bonvalot glared at the intruder.
"Then get on with your little speech and get out."
"You said before that I
failed," continued the beggar over the din of the café, "But in many
ways I succeeded beyond all measure. During my third journey, I penetrated deeper
into Tibet
than any other European explorer in modern times. I came so close to reaching Lhasa , I was sure we would
make it. At our southernmost point, I calculated our position to be no more
than 160 miles away. This is a remarkable achievement given the odds we were
facing. Even those celebrated Indian pundits the British sent into Tibet only
managed to survey the southern and western portions of the country; they were never
able to infiltrate the interior before disaster struck. But alas! Our camels
held us back; those faltering beasts were completely useless at high altitudes.
They grew sick and feeble, growled incessantly, and refused to get up no matter
how hard I beat them. It was on account of these circumstances that I was forced
to abandon the entire expedition or risk dying among those savages. But that
was then. This time it can be different. I came here to offer you my services
as guide on your expedition to Tibet .
And if you're smart you'll accept it. I'm giving you the chance to use all my
wisdom and experience. It's all up here." The beggar tapped his head.
"Where I failed you can succeed. I guarantee it."
"Who the devil are you?"
said Bonvalot, fighting to keep his voice contained.
The beggar smiled, showing teeth
that were cracked and stained. "The greatest explorer in the world. The
toast of Russia .
The favorite of the Tsar. At least, I was
all those things."
"Yes, and I'm Lillie Langtry,
but that doesn't answer my question. Who
are you and how do you know so much
about Tibet ?"
said Bonvalot, his heart now racing.
The beggar smiled wryly. "I
think you know."
Bonvalot dropped his spoon. He bent
down to retrieve it and noticed the beggar was wearing boots that appeared to
be made of yak fur and were caked with a strange yellow mud. He slid his pocket
knife out of its sheath, cut a sample of the fur, and wrapped it in his
handkerchief.
"I entered a region that was
less known than the darkest Africa ,"
continued the beggar. "Using only my iron will, I broke the backs of those
damned Asiatics. But my men and I suffered terrible privations for our heroism.
Many times we went hungry when there was no game. Dozens of horses and camels
collapsed from sheer exhaustion. Some of them simply froze to death. The Hami
desert that separates the Tian Shan from the Nan Shan
was so hot at night you couldn't sleep on the ground. There were no animals, no
plants, no civilized life, just salt clouds that formed into mirages that
mocked us and tormented us. The wind knocked us off our feet and tore at our
eyes. There was no fodder for the animals, no water to drink. And the
inhabitants! They mirrored the cursed terrain with their games of treachery.
They refused to sell us food, refused to provide us with guides, called us
foreign devils behind our backs and sometimes right to our faces. They used
every means of deceit to rob us blind. The only thing the Chinamen and the
Mongol understand is the nagayka
whip. Central Asia is a lawless, godless land,
and only European rifles and Krupp guns can do any good there. Missionary
preaching is like howling in the wilderness. The Asiatics are beyond
saving."
Bonvalot's eyes grew wide.
"Prejevalsky…?"
"The name is Nikolai
Mikhaylovich Prejevalsky," said the beggar, bowing his head and twisting his
lips in a gratuitous smile. "As you may have heard, I was never noted for
my manners, never comfortable in polite society. I was only happy out there in
the wilderness, far from wretched civilization. Far from the stench of
humanity."
Bonvalot felt his neck grow hot
with anger. "I've had enough of you. I don't know who the devil you are,
but you're a despicable fraud. I'm not the least bit impressed with your little
charade. Get out before I call the gendarmes. Scat!"
All at once, the beggar erupted
into a violent fit of coughing that was so loud, it drowned out the clanking of
pots from the kitchen, the animated conversation from the diners, and the
Gypsy's hypnotic violin playing.
Bonvalot looked around, terrified
the interloper would choke to death at his table and cause a hair-raising scene
that would land him on the front page of Charivari—or
worse. That the waiter failed to check on the situation only made him more
agitated. It seemed, in fact, that no one else could hear the beggar's loud
coughing, as if he wasn't really there. To mollify the situation, Bonvalot gave
the filthy tramp a few half-hearted thumps on his stone cold back.
"Is that all you can do after
I came here to help you?" cried the beggar, shoving Bonvalot's hand away
as he spat a large clot of blood into his napkin. "You sorry French bastard!
You didn't even offer me a drink! Is this what you Frenchies call good manners?
I should shoot you with my revolver to teach you a lesson. Where is the damned
thing?"
Bonvalot jumped out of his seat, heart
pounding like a drum. The beggar rummaged through his tattered clothing for his
gun with a fury that bordered on savagery. Lacking a weapon, Bonvalot searched in
vain for help, but there was not a gendarme in sight. The other diners were
eating and drinking to their heart's content. No one had heard the beggar's dire
threat. No one knew his life was at stake.
The beggar gave up searching for
his pistol and returned to his coughing spasm. Bonvalot breathed a sigh of
relief, but felt his face grow hot at the humiliation of having a lowly street
beggar encroach on his private table and lecture him about the rigors of
Central Asian exploration. He called for the maitre d'hôtel, who came rushing
over at once, corkscrew in hand.
"Oui, Monsieur Bonvalot?"
"Will you kindly escort this
vagrant out of the café. He came in without permission, took over my table, and
is now threatening to shoot me. He's stark raving mad and has no business being
in this fine establishment."
"Certainly, Monsieur,"
said the maitre d'hôtel, who looked from Bonvalot to the table, then back at
Bonvalot. "Excuse me," he said, looking around with a baffled
expression on his face. "but which vagrant are you referring to?"
Stunned, Bonvalot stared at the
chair that was now empty. Inexplicably, the stranger had vanished.
Tuesday, October 29, 2013
The 25 Sub-Categories of Historical Fiction
What is Historical Fiction?
Is it a boring lecture about
history you're forced to sit through in 8th grade? Is it a bodice-ripping, powdered-wig romp? Well, yes—and no. People who immerse themselves in
history say it's anything but boring. Sometimes they say it's even shocking. Reading the memoirs of a Victorian explorer, a fugitive slave, or a Concentration Camp
survivor puts you in their shoes and shows you a world you never knew existed. By reading between the lines, making logical
deductions, and perhaps embellishing some of the unknown, the writer of Historical
Fiction can bring a one- or two-dimensional character to life. The
possibilities for setting, plot, and characters are limited only by the
imagination of the author. And thankfully, the possibilities for intrigue and entertainment
are endless.
So what exactly is Historical Fiction?
The generally accepted definition is a novel set in the past, usually 50 years before the date of publication.
Now, to make things even more complicated, Amazon has added 25 sub-categories for Historical Fiction.
Now you can search not only by setting and genre (as in thriller or suspense) but by time period as well. For those of you who like Historical Romance you may continue to search under the Romance subcategories for new releases.
The generally accepted definition is a novel set in the past, usually 50 years before the date of publication.
Now, to make things even more complicated, Amazon has added 25 sub-categories for Historical Fiction.
Now you can search not only by setting and genre (as in thriller or suspense) but by time period as well. For those of you who like Historical Romance you may continue to search under the Romance subcategories for new releases.
For illustrative purposes, I have listed a few examples from each subcategory (with the exception of Religious and Short Stories). Pick a category at random and dive in. You never know, you might learn something your 8th grade history teacher failed to mention...
Fantasy: The Golem
and the Jinni, Deck Z, The Spirit Keeper, The Witch's Daughter
Classics: Dr.
Zhivago, A Tale of Two Cities, Forever Amber
Mystery, Thriller & Suspense: The White Princess, The
Key to Rebecca, Hornet Flight, The Odessa
File, The Eye of the Needle, The Abominable, Pillars of the Earth
Regency: Mr. Darcy's Noble Connection, Mr. Darcy's
Promise, and all the Mr. Darcy Spinoffs,
The Arrangement, Lord Love a Duke
Women's Fiction: The
Sisterhood, The Paris
Wife, Rainwater, War Brides
African: Roots,
Cleopatra: A Life, Nefertiti: A Novel, A Spear of Summer Grass, The Heretic
Queen, The Princess of Egypt
Must Die, The Burning Shore
Asian: The Last
Empress, The Ghost Bride, The Far Pavilions, The Sandalwood Tree, The
Maharajah's General, Race to Tibet
Australian & Oceania:
The Thorn Birds, The Light Between the Oceans, Fiji , A Wicked Deception
British: Wolf Hall, Bring up the Bodies, The Tudor Books,
The Regency Books, Paths of Glory, Remarkable Creatures, The Orchid House, The
Captain's Daughter, The Kingmaker's Daughter, The
Other Boleyn Girl, The White
Queen, Pillars of the Earth, Fall of Giants, Queen Elizabeth's Daughter, The Chalice, The Crown
Caribbean & Latin America: Island Beneath the Sea, The
Pirate's Daughter, Brazil, 100 Years of Solitude, The General in his Labyrinth,
Pirate Latitudes, Transfer Day, Wide Sargasso
Sea, Island on Fire, and The Lost Diary of Alexander Hamilton
Chinese: Shanghai Girl, The Valley of Amazement , Dreams of Joy, The Ghost Bride
European: Mozart's Sister, The Girl with the Pearl Earring, Marrying Mozart, The Lost Wife, Hornet
Flight, The Visit of the Royal Physician, Loving Søren, The Time in Between
French: An Officer
and a Spy, Day of the Jackal, Sarah's Key, A Place of Greater Safety,
Claude and Camille, Sunflowers, Madame Tussaud, The Lavender Garden, Paris
German: She Wore only White, City of Women , All Quiet on the Western Front
Irish: The Girl on
the Cliff, The Princes of Ireland ,
The Yellow House, Galway
Bay
Italian: The
Shoemaker's Wife, The Midwife of Venice ,
The Contessa's Vendetta, The Light in the Ruins, The Book of Madness &
Cures
Japanese: Memoirs of a Geisha, King Rat, Shogun, The Gilded
Fan, the Mask Carver's Son
Middle Eastern: The Haj, Exodus, Jasmine Nights, Jerusalem Maiden, Birds
Without Wings, The Source, The Dovekeepers, Ben-Hur
Norse & Icelandic: Burial Rites, Oleanna,
Russian: Rasputin's
Shadow, The Winter
Palace , The Russian Concubine, Dr. Zhivago, The
Autobiography of Joseph Stalin, Most Beautiful Princess
Scottish: Drums of Autumn and Anything with Highlander in
the title
Saturday, June 8, 2013
The 5 essential elements for every good story
By Keith Ogorek
Over the past
year, I have had the opportunity to be part of three Book-to-Screen
Pitchfests where
authors learn how to pitch their book as an idea for adaptation for film
or television and then have the opportunity to pitch to entertainment
executives in a speed-dating like setting. They have been great events for the
authors and the entertainment executives alike. There have been hundreds of
requests for different books. One has been optioned and there are a
number of others that are under consideration.
If you break down every great story, it has these elements
What has been most interesting to me is no matter what the
genre, there are some common elements to every great story. The books that get
noticed have these elements. The books that Hollywood
execs often pass on are missing one or more of these. In fact one exec
said to me, “If you break down every great story, it has these elements”. So
what are they?
1.
An inciting action. This means open the story with some
event that sets the characters and action in motion. Get my attention in
the beginning and give me a reason why I am going to care about the people and
the story going forward.
2.
Conflict. There needs to be some challenge to
overcome or some quest or mystery. The character or characters need to have
some type of struggle.
3.
Resolution. Make sure the conflict gets resolved
by the end of the book and don’t come up with some crazy way to solve the
matter. One thing I have noticed about authors’ books that get close to being
requested, but often get a pass is the resolution to their story doesn’t make
sense. They set up the conflict, make the characters interesting and then
resolve it with something that comes out of the blue. In their efforts to be
creative, they end up making the ending implausible and that hurts the story.
4.
Protagonist. Give me a character I want to care about and can understand.
Help me understand why they do what they do. Sounds simple, but it is very
challenging.
5.
Antagonist. Life is often about struggle and opposition and so great
stories present those challenges as well. Many times it takes the form of a
person. As with the protagonist, make the antagonist interesting. Help me
understand why he or she presents the opposition.
Now none of these five elements should be surprising, but I have
been somewhat surprised at how some books are missing one of these elements,
have them underdeveloped or make them implausible. How about your story? It
would be could to do a quick review of your manuscript to see if you have these
elements included. All good stories do.
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