Welcome back to the July-August edition of the historical
fiction round table discussion. We have an interesting and diverse panel of
authors, each with their own unique perspective and insight. To learn more
about an author and their books click on their name and you will be taken
directly to their Amazon author page. And so, without further ado, let me to
introduce our panel of authors:
Featuring
our panel:
Weina Dai Randel is the author of The Moon in the Palace, a Goodreads
Choice Awards nominee, a RITA Awards finalist, and a RT Book Reviewers Choice
Award nominee. A native of China, she holds an M.A. in English from Texas
Woman's University in Denton, Texas.
AntoineVanner was dubbed the “Tom Clancy
of historical naval fiction” by the author Joan Druett. A prolific author of historical fiction,
his most recent novel, Britannia’s Amazon, is book 5 in the
Dawlish Chronicles. He has lived in 8 countries including Nigeria, which
sparked a lifelong fascination with Africa.
Marie Laval is the author of the Dancing for
the Devil Trilogy (The
Dream Catcher, Blue Bonnets, Sword Dance) published by
Áccent
Press. She studied French History and Law and lives in Lancashire,
Northern England, where she balances her busy family life with her passion for
writing and her occupation as a teacher.
LindsayDowns has been an avid reader ever since he was old enough to
hold a first edition copy of Sir Walter Scott’s The Lady of the Lake in his lap. A resident of Central Texas, he
started writing romantic suspense since 2012 and is a proud member of Romance
Writers of America.
Ruth Hull Chatlien is the author of Blood
Moon: A Captive’s Tale, about
the ordeal of Sarah Wakefield during the Dakota War of 1862, and The Ambitious Madame Bonaparte. An Illinois
native, when she's not writing, she can usually be found gardening, knitting,
drawing, painting, or studying Swedish.
Panelists, thanks for joining us! (Heart emoji) Please
start by telling us where you were born:
Weina Dai Randel: Wenzhou, China
Marie
Laval: Amiens, Northern France
Lindsay
Downs: Germantown, PA
Ruth
Hull Chatlien: Kankakee, IL
What is the first
book you read that took you to another time and place?
Weina Dai Randel: Books
by Jin Yong, a Chinese writer. I read them in middle school.
Antoine
Vanner: “Nada the Lily” by H. Rider-Haggard, his novel about the rise
of the Zulu nation under its leader Shaka. I was hooked and I started all over
again once I’d finished. I was staying on my grandfather’s farm that summer and
I made myself my own assegai and roamed fields and hillsides, imagining myself
a Zulu warrior.
Marie Laval: Angélique, Marquise des Anges by Anne Golon started my love affair with
historical romance
Lindsay
Downs: Angélique, Marquise of the Angels
by Sergeanne Golon.
Ruth
Hull Chatlien: Little Women. I first
read it in 2nd grade, and I remember being very confused by some of
the things the March sisters did but loving the book all the same.
 |
| Two writers on this panel fell in love with "Angélique, Marquise of the Angels". |
Who is the first
writer that inspired you to become a historical novelist?
Weina Dai Randel: The Winter King by Bernard Cornwell
Antoine
Vanner: C.S. Forester’s magnificent
Hornblower novels. In every case he brought the past credibly alive.
Marie Laval: Alexandre Dumas, Barbey d'Aurevilly, Wilkie
Collins and MR James.
Lindsay
Downs: Jane Austen. Even though at
the time she was writing contemporary her books are now considered historical.
Ruth
Hull Chatlien: Gwen Bristow. I read Celia Garth when I was in high school
and absolutely loved the spunky title character and her struggles to survive
the Revolutionary War with her life and ability to love still intact.
 |
| Cecil Louis Troughton Smith (27 August 1899 – 2 April 1966), known by his pen name Cecil Scott "C. S." Forester, was an English novelist known for writing tales of naval warfare such as the 12-book Horatio Hornblower series, depicting a Royal Navy officer during the Napoleonic wars. Photo source: Fair use, Wikipedia. |
What are you reading
right now?
Weina Dai Randel: 1984 by George Orwell
Antoine
Vanner: The Barbed-Wire University, by Midge Gillies, about methods of coping with the experience of being a
prisoner of war in WWII.
Marie Laval: I just bought three novels from Daphné du
Maurier I first read years ago: My Cousin Rachel, which is being
re-released at the cinema, Jamaica Inn and Frenchman's Creek. Now
the big question is which one shall I start with?
Lindsay
Downs: Nothing at the present. Judging for a contest.
Ruth
Hull Chatlien: That Certain Age by Beatriz Williams, set in the 1920's. This is the
second of her novels that I’ve read, and I enjoy her evocation of the Jazz Age.
What is your
particular approach to researching and writing?
Weina Dai Randel: I
usually read articles on journals and then buy the books in the notes.
Sometimes I send the titles to my local library and they get them through ILL.
As for writing, one thing we all do is sit down and spend hours in front of the
computer.
Antoine
Vanner: I’ve been reading history ever since I could read. The period 1850-1918 is my especial
favorite and I know its dynamics and personalities well. It’s in this period
that I set my plots, linking them to real events, and these plots drive my more
focused research. I’m a member of one of the largest private libraries in the
world, and that gives me superb access to what I need.
Marie Laval: I buy maps, travel guides, and read everything
and anything related to the setting, the plot or the characters that I can lay my
hands on! I take lots of notes and make big folders for every story. Of course,
I don't use half of it, but it's there, as background information if I need it.
Lindsay
Downs: If I get to the part of a
book where I need to hunt something down I stop and do research.
Ruth
Hull Chatlien: So far, all my books have
been about real people, so I start by reading biographies and general histories
of the period. Once I feel that I have a handle on the events of their life, I
create a general outline. Then, as I draft, I’m constantly running down the
specific period details I need. Like what breed of chicken a settler would most
likely raise in Minnesota in 1862.
 |
| Old maps are an important tool of historical novelists. |
In your opinion,
what characters in history have not been written about enough?
Weina: Smart Chinese women, who refused to sell
their souls and their bodies to the society. I probably will not write a book
about courtesans, no matter how famous they were, because there are many books
about them already.
Antoine
Vanner: The Thirty-Years War has always struck me as under-represented in
historical fiction, not just for its scale and destructiveness, but for such
remarkable characters as Gustavus Adolphus and Wallenstein. Early in the next
century, Charles XII of Sweden and Marlborough, and their wars and adventures
and intrigues, are also rich ground lying fallow.
Marie Laval: Oh dear, that's a tricky question. Sorry, I
can't answer that one. I have no idea!
Lindsay
Downs: I’m really not sure as all
of my characters are from my mind. I try to avoid using real people for fear of
getting facts wrong. That being said, I would like to see more historical
fictions books involving the signers of the Declaration of Independence. And
not the ones most frequently talked about, for example Jefferson, Franklin,
Adams.
Ruth
Hull Chatlien: I don’t think American history gets enough coverage because, for
some reason, publishers think readers don’t care. Our history is relatively
short, but there are many wonderful untold stories. That’s why my first two
books focus on Betsy Bonaparte (an American who married Napoleon’s baby
brother) and Sarah Wakefield (a survivor with her two young children of the
Dakota War of 1862). They’re women whose stories demanded to be rescued from
oblivion.
 |
| Thomas Jefferson would make an excellent subject of a historical novel. Source: Wikipedia, Fair Use |
If you could go back
in history and relive an event, what would it be?
Weina Dai Randel: One thing that comes to my mind this moment is the
burning of books by the First Emperor of China, Qin Shihuang. It would probably
be too dangerous to be present, so I'd like to have a peek within the safety of
a chariot.
Antoine
Vanner: To be at Little Round Top with Joshua Chamberlain and the 20th
Maine on the second day of Gettysburg. It’s a superb example of a man’s entire
life made worthwhile by a single moment, rising to a challenge and tilting the
balance of history. When I stood there some years ago I was overwhelmed.
Marie Laval: It's not really an event, but I would love
to attend a fête at Versailles under the reign of Louis XIV, see the
fountains and the fireworks, dance at a masked ball and listen to music by
composers Lully, de Lalande, and Charpentier.
Lindsay
Downs: Waterloo to experience it
and what the soldiers had to go through. Reading about it is one thing, living
it another.
Ruth
Hull Chatlien: I would go back to Sweden in the 1890s and find out what my
ancestors’ lives were like, discover why they emigrated to Canada, and perhaps
take the journey with them. The only way I have of getting closer to my
heritage is to study the Swedish language, which I started to do earlier this
year.
 |
| The court of Louis XIV, the Sun King, would be fascinating to witness. |
What is the hardest
thing about starting a new writing project?
Weina Dai Randel: To have a concept that's so intriguing
that when I mention it to my editor she would say, “Write it, Weina, I want
that book!”
Antoine
Vanner: Refining the plot before I start. I believe in “Planning the Work and
Working the Plan” I want to feel that the plot is about 80% correct when I
start, with the remaining – scantily defined – 20% subject to modification as
the writing proceeds. It works most of the time, though on one occasion a book
had to be massively reconfigured when I was half-way through.
Marie
Laval: I think it's knowing that it's
going to take months, if not years, to get it finished. I am by nature a very
impatient person, and writing is a very long process for me.
Lindsay
Downs: The first paragraph followed
by the first page. After that it gets easier.
Ruth
Hull Chatlien: For me, the task of building up emotional momentum for a project
is very difficult. Research doesn’t excite me the way writing does, so for the
first several months, trying to get hooked on the new project is a bit of slog.
But once I can start playing with the outline and character sketches, I usually
pick up steam.
Where did the
inspiration for your current project come from?
Weina Dai Randel: While I was having breakfast
at a writers’ conference I happened to mention a
strange thing that happened to me, to which one of the ladies said, “Weina, you
are looking for an idea for a book, right? That's a good idea!” The other lady said,
“I just took a workshop about dual time, why don't you make it a dual time?” And
that’s how I got the inspiration!
Antoine
Vanner: Always from actual events and personalities from the 1880’s. They
provide the stage on which my puppets perform, and the background to their
actions (I’m beginning to sound like Thackary here, who several times addressed
the reader in similar terms in Vanity
Fair.)
Marie Laval: I can pinpoint the exact
moment when inspiration struck. I was visiting the beautiful John Ryland's
Library in Manchester, and in the room where the ancient manuscripts are
displayed was an interactive computer with lots of information about
illuminated manuscripts and Paris in the Middle Ages. I sat down, started
scrolling down the screen, pulled my notebook and pen from my handbag, and
started writing. So although it's not an actual historical novel, medieval
history plays an important role.
Lindsay
Downs: As with most of my books the
first one in the series starts out as a “what if”. As in ‘What if a young
lady…” that’s all I can say about this project without giving the story away.
Ruth
Hull Chatlien: My next book is still in
the early stages, but it’s probably going to be about Dolley Madison. She was a
character in my first book The Ambitious
Madame Bonaparte. She was one of the few people to befriend Betsy Bonaparte
during a period when society threatened to turn its back on her. Everyone loves
Dolley Madison, particularly for her heroism in the War of 1812, but there are
some dark patches in her story that aren’t as widely known. I’m interested in
finding a way to explore those without destroying the beloved parts of her
image.
 |
| Dolley Madison |
Why did you choose
your era?
Weina Dai Randel: The era is not important to me at all. If
I pick an era, that's because the story and characters scream to me. Since they
come from that period, I faithfully follow.
Antoine
Vanner: I’m fascinated by how much change—societal, technological, and economic—occurs
in the span of an average lifetime and how people cope so well with it. The
second half of the 19th century, which saw the second wave of the
Industrial Revolution, was just such an era. The protagonist of my series was born in 1845 and dies in 1918, while his wife is born in 1855
and dies in 1946. They both grow up in the mid-Victorian period, but go up on
their first flight just before WWI and one of them lives into the nuclear age.
Marie Laval: So far my historical novels
have taken place in the 19th century at the time of Waterloo, or
during the 1840's. I can't really explain why, it's a period I’ve always been
very attracted to.
Lindsay
Downs: I didn’t pick Regency. It
picked me back in 2011 when I penned my first book set in that era.
Ruth
Hull Chatlien: I'm more attracted to the psychological aspects of individual stories. It just
so happens that I have chosen three women who lived in 19th century America. It’s
an interesting time because women were starting to realize that they needed
more equality, but their lives were still terribly circumscribed. However, I
don’t know if I’ll stick with this century or move on to something else. It all
depends on which historical personage grabs me by the throat and says, “Tell my
story so I’m not forgotten.”
What is your favorite “writing drink”?
Weina Dai Randel: Does
water count? I drink 2 liters of water every day.
Antoine
Vanner: Black coffee, but strictly
rationed!
Marie Laval: Tea or black coffee during
the day, and in the evening it's either tea or a glass of wine at the
weekend.
Lindsay
Downs: Coffee
Ruth
Hull Chatlien: Homemade cappuccino using
organic, decaf, French roast coffee beans! While drinking decaf runs against
the stereotype of writers, I had to go off caffeine for medical reasons and now
I don’t miss it!
 |
| Homemade cappuccino sounds like a delicious writing drink! |
What is your favorite “writing snack”?
Weina Dai Randel: 70%
dark chocolate. I eat that to reward myself, or just to be happy.
Antoine
Vanner: The guilty pleasure of digestive biscuits, even more strictly rationed!
Marie Laval: Cake or biscuits (preferably
chocolate!) in the afternoon, and if I’m having a glass of wine in the evening,
then I'll have to have some cheese - the smellier, the better!
Lindsay
Downs: Potato Chips
Ruth
Hull Chatlien: I don’t think I have one.
If I’m engrossed in the writing, I tend to plow through and not stop for
snacks.
Which authors have
influenced you the most and why?
Weina Dai Randel: Mary Stewart's Merlin trilogy made
an indelible impression on me in the sense that everything could be as the way
they seem, but nothing should be as the way they turn out. Arthur Golden's Memoirs
of a Geisha told me the narrative itself should be as seductive as the
characters. And Geraldine Brooks. I want to write like her.
Antoine
Vanner: Henry Fielding for the sheer exuberance
of his writing, Thackary for his ability to make flawed characters still
lovable, Dickens for his humor and for plots that initially appear anarchic,
but are in fact intricately constructed. I’ve reread Pasternak’s Doctor Zhivago countless times
since I first read it at 15. But I owe a personal debt to a naval
novelist, Douglas Reeman who died recently. Hearing him talk at a local
bookshop resolved me to settle down at last to writing seriously. He was
inspirational. He may not have remembered me, but I’ll never forget him.
Marie
Laval: Alexandre Dumas, Barbey D'Aurevilly,
Colette, Joseph Kessel, and poets Jacques Prévert and Aragon, because they've
all made me dream, think, cry, or laugh
Lindsay
Downs: Again I turn to Jane Austen, the way
she brought her characters to life on the page.
Ruth
Hull Chatlien: Charlotte Brontë, for the
way she influenced me in a subconscious way. Sharon Kay Penman, for renewing my
love of historical fiction. And while I was writing Blood Moon, I fell into a
funk [at the brutality of the Indian Wars]. Kate Quinn’s books rescued me and
helped me to insert some episodes in which I had fun with my characters, which
lightened up the story. Now those scenes are some of my favorites in the whole
book.
 |
| Jane Austin is a perennial favorite of historical novelists. |
What is your
favorite historical movie?
Weina Dai Randel: Farewell, My Concubine by the Chinese director Chen Kai Ge.
Antoine
Vanner: Stanley Kubrick’s Barry Lyndon, based on the Thackary
novel. Everything is just right – the script, the music, the superb candle-lit
scenes, the terrifying final duel, the sense of real people in a real world
that’s gone forever. No less than the whole movie, I regularly watch out-takes
from it on YouTube and am always inspired.
Marie Laval: The Count of Monte Cristo,
without a doubt. It's got everything - love, greed, revenge, mystery,
treasures. I particularly loved the TV series with Gérard Depardieu, Ornella
Muti and Jean Rochefort.
Lindsay
Downs: Emma and Pride and Prejudice
Ruth
Hull Chatlien: Right now, I’d probably
say Lincoln starring Daniel Day Lewis. I especially loved
Sally Field’s portrayal of Mary Todd Lincoln, who was a difficult personality and
hard to like.
 |
| Daniel Day Lewis as Abraham Lincoln in "Lincoln". |
If you could have
dinner with any historical personage, who would it be and why?
Weina Dai Randel: Empress
Wu, or Wu Zetian, the main character of my two novels. I want to meet her and
see what kind of a ruler she was, so I could confirm that the Confucian
scholars were wrong about her and I was right!
Antoine
Vanner: Abraham Lincoln, possibly the most impressive and admirable man I know
of in history. And a great raconteur and humorist to boot!
Marie Laval: Napoleon Bonaparte. I have a
great admiration for the man, for his incredible ambition, vision and work
capacity. He achieved so much, not all good of course, but so many of his
reforms are still in effect in France.
Lindsay
Downs: Arthur, 1st Duke
of Wellington, for no other reason than to share a simple meal with a great
man. Then of course, Jane Austen for tea. Just to be in her presence would be
reason enough.
Ruth
Hull Chatlien: I think I would choose
Lincoln. I’d love to pick his brain about that mysterious blend of pragmatism
and idealism that informed his decisions. I think human beings are incredibly
complex and do things from such mixed motives. That’s a trait I like to explore
in my writing.
 |
| Wu Zetian (624 – December 16, 705), also known as Wu Zhao, Wu Hou, and during the later Tang Dynasty as Tian Hou, referred to in English as Empress Consort Wu was a Chinese sovereign who ruled unofficially as empress consort and empress dowager and later, officially as empress regnant (皇帝) during the brief Zhou Dynasty (周, 684-705), which interrupted the Tang dynasty (618–690 & 705–907). Wu was the only Empress regnant of China in more than two millennia. |
Where do you go for inspiration? Do you travel?
Weina Dai Randel: I just stand by the window and let my mind
run wild – yes, I do that a lot! I'd
love to travel, anywhere around the world is fine with me, and I would love to
live there for a few months in order to feel the culture, eat the food, and
make friends.
Antoine
Vanner: I’ve been travelling all my life
– I’ve been to over fifty countries but I’ve lost count due to some breaking up
or reconfiguring! But it’s not just travel and reading and experience that inspires,
it’s every aspect of living. One’s whole life has been a preparation for the
moment you sit down to write the first line of your book.
Marie Laval: Ideas for stories pop into my
mind all the time - at work, whilst walking, listening to some music or
watching a TV program. I don't really need to go very far
since there are beautiful, inspiring places near where I live. It's my birthday
soon and my birthday wish is to spend a day on a canal boat!
Lindsay
Downs: No I don’t travel. Costs too
much and now a days is too dangerous. However, I would love to visit England.
Ruth
Hull Chatlien: I take research trips for
my books, which can be a source of inspiration. When I visited Fort McHenry in
Baltimore during my Betsy Bonaparte research trip, I suddenly felt like I was
channeling her emotions. I felt Betsy’s terror so deeply
that I began weeping in the midst of the NPS ranger’s presentation about the
siege of Fort McHenry, and that experience strongly informed one of the
chapters in that novel.
 |
| Fort McHenry in Baltimore, the location of a furious British naval battle witnessed by Francis Scott Key, who penned America's national anthem "The Star Spangled Banner" as a result. |
What is the je ne sais quoi that makes a novel unforgettable?
Weina
Dai Randel: Surprisingly, it's the language. It flows so naturally,
imperceptibly, like water, that it nourishes you and you drink all in without
knowing it.
Antoine
Vanner: The fact that the book answers the questions that listeners to storytellers
in markets or around cooking-fires have asked since time immemorial: “What happened next, and should I care about
the characters?” A plot that does not prompt these questions will never be
remembered, even if the reader has persevered to finish the novel with gritted
teeth.
Marie
Laval: The characters and the magic that happens between them.
Lindsay
Downs: Suspense. Since I write
regency romantic suspense those two elements have to blend perfectly for me to
keep going back to the book again and again.
Ruth
Hull Chatlien: Characters that come to
life vividly and play out some compelling aspect of the human dilemma for us.
 |
| Open book, free image on Pixabay. |
Readers: thanks for joining us on this latest
installment of historical fiction round table. If you have a specific
question for any of our panelists, please enter them in the comments section
below. To learn more about the authors, please click on their names above
and you will be directed to their Amazon author page. Check back here later for the next installment!😻😂💕👯😹
