Monday, May 6, 2013

Preview: Race to Tibet (Historical Thriller)

I am pleased to present Chapter One of my work in progress, "Race to Tibet", a historical novel inspired by the true story of celebrated French explorer, Gabriel Bonvalot, who is haunted by the ghost of his greatest rival, Prejevalsky, as he undertakes the journey of a lifetime, to be the first living European to reach Lhasa, the mysterious, forbidden capital of Tibet.
Will Bonvalot's caravan survive their arduous expedition through the Tian Shan Mountains of Chinese Turkestan?
In December, 1888, Gabriel Bonvalot is France's most celebrated explorer whose greatest dream is to be the first living European to reach Lhasa. When the pretender to the throne, Robert, Duke of Chartres, offers to finance Bonvalot's latest expedition on condition he take along his wayward, dissolute son, Prince Henri d'Orléans, Bonvalot's dream seems guaranteed. Before he leaves, Bonvalot is approached by a beautiful young woman, Camille de Villiers, who offers to pay him 2,000 francs to join his caravan so she can search for her missing husband, who was last seen in Tibet. Bonvalot refuses, but Camille hatches another plan, a plan that may derail Bonvalot's entire expedition. During the journey, Bonvalot is plagued by debilitating hallucinations brought on by the dead Russian explorer, Nikolai Prejevalsky, who is drawing Bonvalot deeper under his spell, giving him advice that is calculated to kill him the closer he reaches to Lhasa. Bonvalot's caravan also runs into a whole host of problems, from freezing temperatures to impossible altitudes, blinding sandstorms, snow squalls, suspicious Tibetans, hostile Chinese Ambans, brutal bandits, an incorrigible prince and a pair of rival explorers who will do anything to stop him. Pushed to the brink of his physical and mental limits, Bonvalot must decide if reaching Lhasa is worth paying the ultimate price. In the end, only one of these three explorers will succeed in reaching Lhasa, but he will be haunted by it for the rest of his life. 

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Will Camille de Villiers succeed in joining Bonvalot's expedition?
And so, without further ado, I present you Chapter One of "Race to Tibet":

Chapter One
Paris
December 1888

Strolling down the leafy Boulevard des Italiens, a patch of glittery snow on the cobblestones reminded Gabriel Bonvalot of the snow-capped mountains of the Hindu Kush. The muddy sidewalk became the wind-swept valleys of Fergana, and the frozen puddles beneath the horses' hooves shimmered like the pristine blue lakes of Turkestan.
To Bonvalot, France's most famous traveler, exploring the four corners of the globe was his life's obsession. When he wasn't out trekking on some windswept mountain trail high up in the Karakorum range, he was thinking of ingenious ways of getting there. Even sickness and ill health couldn't stop his fertile imagination from wandering to exotic, far-flung lands. While he was laid up with a rheumatic fever that he'd picked up on his latest expedition to the Pamirs, Bonvalot would spend hours in bed leafing through his trusty Schrader Atlas, watching as the pages sprang to life. Before his eyes, a map of Central Asia became a living, moving world. Snow-capped mountains burst from the pages flanked by murmuring forests of emerald and jade, bowing and swaying under a gust of Siberian wind, while dashing waterfalls and streams of glacial water erupted from the heights and snaked down to the ice-covered plateaus of pristine land where no man had ever stepped foot before. And just as his eyelids grew too heavy and sleep was about to overtake him, a gentle layer of snow fell across his bed quilt, carpeting the old volume with a fine layer of Himalayan snow, prompting Bonvalot to pull up the blanket before closing his eyes and falling into a deep sleep.
To Bonvalot, geography was not a mere collection of maps, charts, barometric readings, soil samples, and dull scientific reports that filled dusty old volumes that languished in cavernous libraries, it was an adventure waiting to be explored. A world of danger and wonder, a thrill from which he could not escape. Aside from the occasional Oriental despot or band or roving nomadic bandits, Bonvalot's greatest worry was finding the money to finance his expeditions. The art of coaxing money out of fickle coffers was almost as complicated as extracting gold teeth from reluctant mouths. And after his last expedition had ended in a dank Chitral dungeon as his health and the health of his men slowly ebbed away, Bonvalot knew he needed an extraordinary success to seal his name in the annals of geography.
This time he would go for the grand prize.
Bonvalot's dream was to be the first living European to reach Lhasa, the mysterious capital of Tibet. But it would not be easy. Times were hard; even the royal family had had their share of money woes. It was even rumored that the young pretender to the throne, Prince Henri d'Orléans, a notorious gambler and drinker, had amassed such a large gambling debt that his father, the Duke of Chartres, had been forced to wait for hours in the ante-chamber of Baron Maurice de Hirsch before being granted an audience to beg for the funds to settle the young numskull's debts of honor. Bonvalot shuddered at the mere thought of having to beg for the privilege of doing what he loved best.
Down the street, a crowd had gathered at his favorite newsstand, with all eyes peeled to the latest edition of Le Figaro. Bonvalot joined them, and when he spotted a familiar face on the front page, his pulse quickened. Bonvalot snatched the newspaper off the stand and peered at the headline with a mixture of shock and incredulity, his hand gripping the paper so tight that his arms shook: General Prejevalsky Dead.
"I'll be damned!" he said, his heart racing with excitement. "That Russian blowhard finally met his end!" Bonvalot threw down a few centimes and headed over to Café Tortoni where he could study the article in peace.
As Bonvalot entered the café, the Maitre d'hôtel rushed over to greet him. After shaking Bonvalot's hand, he took off his coat and gave him a warm pat on the back.
"Ah, Monsieur Bonvalot, what an honor!" he said. "Allow me to offer you the best seat in the house."
"That won't be necessary," said Bonvalot, pointing to a corner. "I'd prefer that quiet table over there."
"As you wish, Monsieur."
Bonvalot took his seat and spread the newspaper out over the white linen tablecloth just as the wine steward arrived bearing the pride of the house: Chateau Lafite Rothschild 1883. He held up the bottle for Bonvalot's approval, uncorked it, breathed the precious fumes, and then filled a sparkling glass. "Compliments of the house," said the steward, bowing slightly before returning to the bar. "Much obliged," called Bonvalot after him as he lifted the glass to inhale the wine's rich bouquet. After savoring the calming elixir, Bonvalot turned his attention back to the newspaper:
Major-General Prejevalsky, whose death was recently reported in the cablegrams was the most distinguished of all the Russian scientific explorers and one of the greatest modern authorities on Central Asia. He was a trusted officer of the Czar and had well-earned the reputation for being a bold, daring, determined, and enthusiastic pioneer of travel. He broke fresh ground in Turkestan some 15 years ago, traversing the Pamir, skirting the Chang Tang, Tibet's great Northern deserts, and penetrating the Lob-Nor. Although he succeeded in exploring portions of Northern Tibet, he was unable to make his way south into Lhasa. At the time of his death, he was about to embark on another attempt. The sudden death of Prejevalsky on the eve of another journey, will send shock waves throughout the scientific world.
Shock waves is an understatement, thought Bonvalot, pouring himself another glass of wine. Now that Prejevalsky out of the picture, there was nothing to stop him from reaching his goal of Lhasa. All he needed was photographic proof and trunks filled with every manner of Tibetan artifact: gold, gemstones, rare Buddhist manuscripts, intricately carved statues, and maybe even the Dalai Lama himself. Bonvalot could picture himself standing in front of the entire Geographic Society as he pulled aside a curtain to reveal His Holiness himself, the Dalai Lama, and his entire entourage of saffron-robed attendants. It would be the talk of every geographical society for years.
Bonvalot sipped his wine and smiled to himself. At the age of thirty-five, he was the most celebrated explorer in all of France. Just over two years ago, he had received the coveted gold medal of the Geographical Society for his travels to the Pamirs. Tall, handsome, sporting sandy brown hair, a trimmed beard, inquisitive blue eyes, and a confident smile, Bonvalot looked at home on the cover of every newspaper and magazine in the country. As a result of his fame, aided by the prolific number of travel books he had penned in between expeditions, Bonvalot was treated like a celebrity wherever he went.
But the life of an explorer is fraught with hardship and danger. In his career, Bonvalot had cheated death many times. But until now, death had been an abstraction, like the sun-bleached skeleton of an ibex nestled along the shores of a pristine Siberian Lake. Now that Prejevalsky was gone, death had become a cold, hard reality. Bonvalot chuckled at the irony of it all. As an opponent, Prejevalsky had been larger than life. Although short of stature, he had a head full of thick black hair that he would grease back like an Indian Maharajah, giving the mistaken impression that he was taller. That combined with his bold features, olive complexion and suspicious nature, Prejevalsky resembled the natives of Central Asia among whom he travelled. But he had won the greater measure of their respect by displaying a deadly accuracy with a rifle and by never losing the upper hand. As a rival, Prejevalsky was unbeatable, and now he was dead.
"So it's finished then," said Bonvalot, staring at the frozen image of Prejevalsky on the front page of the newspaper. "You lost your dream of Lhasa. You failed."
"What do you know about my dream of Lhasa?"
Startled, Bonvalot looked up. Sitting across from him was a disheveled-looking tramp who had appeared out of nowhere. His face was bloated, bruised, his skin an unnatural shade of purple and covered with festering sores. His clothes were in tatters—worse than a beggar's. His hair was a tangled, filthy mess that more resembled fodder than human hair. And more troubling than that, the man smelled of the sewers, of death.
Bonvalot recoiled. "Must you sit right here? Could you please find another table?"
"When you find out why I've come, you'll be very glad I did, Monsieur Bonvalot."
Bonvalot held his napkin up to his nose, covering the stench. "Get out of here you filthy beggar!"
The stranger's face turned menacing. He reached up and grabbed Bonvalot's arm in a vise-like grip. "I think you'd better sit back quietly Monsieur Bonvalot if you don't want to cause a scene."
Bonvalot pulled his arm out of the stranger's grasp and looked around to make sure nobody was watching them. The restaurant was filled with diners sitting in pairs or in small groups, waving their forks in animated conversation as they drank copious amounts of wine and puffed on cigarettes to their heart's content while an elderly Gypsy wended his way around the tables serenading the diners with pleasant violin music. To Bonvalot's relief, no one appeared to have noticed the filthy street beggar who had wormed his way into one of Paris's most famous restaurants and settled down at Bonvalot's table. Even the maitre d'hôtel, who was not more than twenty feet away, was oblivious to the frightening altercation in progress. Bonvalot squirmed in his seat and locked eyes with the tramp.
The stranger continued. "The reason for my visit is because I have something to offer you," he said in a voice that was both deep and gravelly, as if grains of sand were blocking his vocal chords.
"I asked you to leave," said Bonvalot under his breath. "Please go."
The beggar narrowed his eyes. "Would you like me to raise my voice and cause a scene?" Bonvalot shifted uneasily in his seat.
"You said that I failed," continued the beggar over the din of the café, "but in many ways I was a great success. During my third journey, I penetrated further into Tibet than any other European explorer had in modern times. I came so close to reaching Lhasa, that I was certain we would make it. At our southernmost point, I calculated our position to be no more than 160 miles away. Even those celebrated Indian pundits that the British had sent into Tibet had only managed to survey the south and west portions of the country; they were never able to infiltrate the interior before disaster striking. But alas! our camels proved to be completely useless for climbing at such high altitudes. They grew sick and feeble, and we were forced to abandon the entire expedition or risk certain death. But where I failed, you can succeed. That’s why I've come. I'm here to make a deal with you."
"Who the hell are you?" said Bonvalot, fighting to keep his voice contained.
"The greatest explorer in the world," smiled the beggar, showing teeth that were stained and cracked. "The toast of Russia, the favorite of the Tsar. At least, I was all those things."
"Yes, and I'm Lillie Langtry, but that doesn't answer my question. Who are you and how did you get inside this restaurant?" said Bonvalot, his heart racing as sweat poured down the sides of his face.
The beggar smiled wryly. "I think you know who I am."
Bonvalot dropped his spoon. He bent down to retrieve it and noticed that the beggar was wearing what appeared to be yak boots that were caked with a yellowish mud. Bonvalot slid his pocket knife out of its sheath, cut off a sample of the fur, and wrapped it in his handkerchief, and discreetly stuffed it in his pocket.
The beggar continued, "I entered a region that was less known than the darkest Africa," continued the tramp. "Using only my iron will and strength of mind, I broke the backs of those damned Asiatics. But my men and I suffered terrible privations for our heroism. Many times we went hungry when no game was available. Dozens of horses and camels collapsed out of sheer exhaustion. Some of them simply froze to death. The Hami desert that separates the Tian Shan from the Nan Shan was so hot, that even at night you couldn't sleep on the ground. There were no animals, no plants, no civilized life, just salt clouds that formed into mirages and wind that could knock you off your feet and tear out your eyes. There was no fodder for the animals, no water to drink. And the inhabitants! They mirrored the cursed terrain with their treachery. They refused to sell us food, refused to provide us with guides. They called us foreign devils behind our backs and sometimes right to our faces. They used every means of deceitfulness to rob us blind. The only thing the Chinamen and the Mongol understand is the nagayka whip. Central Asia is a lawless, godless land, and only European rifles and cannons can do any good here. Missionary preaching is like howling in the wilderness. The Asiatics are beyond saving."
"Prejevalsky…?" whispered Bonvalot under his breath.
"The name is Nikolay Mikhaylovich Prejevalsky," said the beggar, bowing his head slightly and twisting his lips in a contorted smile. "As you may have heard, I was never noted for my manners; I never felt comfortable in polite society. I was only happy out there, in the wilderness, far from wretched civilization. Far from the stench of humanity."
Bonvalot felt his neck grow hot with anger. "I suppose you think this is funny, whoever you are. Some kind of April Fool's joke! Listen to me, I don't know who the hell you are, but I think you're a lunatic. Stark raving mad. And I'm not the least bit impressed with your little charade. Get the hell out of here before I call the gendarmes. Scat!"
All at once, the beggar erupted into a violent coughing fit that was so loud, it drowned out the din of the café, and muffled the clanking of pots from the kitchen.
Bonvalot looked around, terrified that the miscreant would choke to death at his table and cause a hair-raising scene that would land him on the front page of Charivari, or worse. The fact that the waiter failed to appear with a glass of water only made things worse. It seemed, in fact,  as though no one else was aware of the beggar's loud coughs, as if they couldn't see him or hear him. To mollify the matter, Bonvalot resorted to thumping the hacking beggar's stone cold back.
"Is that all you can do after I came all the way here to help you?" cried the beggar, pushing Bonvalot's hand away as he spit a large blood clot into his napkin. "You sorry French bastard! You didn't even offer me a drink! What kind of manners do you have? I should shoot you with my revolver to teach you a lesson. Where is the damn thing?"
Bonvalot sprung out of his seat, heart pounding like a drum, as the vagabond rummaged for his holster through frayed, tattered clothing with a fury that bordered on savage. Unarmed, Bonvalot searched for any sign of help, but there was not a gendarme in sight. No one had heard the beggar's threats. And worse than that, everyone else was laughing and joking to their heart's content, blissfully unaware of Bonvalot's dire predicament.
The beggar gave up his search and returned to his coughing spasms. Bonvalot let out a deep sigh, but felt his face redden at the humiliation of having a lowly street beggar commandeer his private table and launch into a lecture about the rigors of Central Asian exploration. Bonvalot motioned to the maitre d'hôtel, who came rushing over, corkscrew in hand.
"Oui, Monsieur Bonvalot?"
"Will you please escort this vagrant out of the café? He came in and sat down at my table and threatened to shoot me. He's stark raving mad and has no business here!"
"Certainly," said the maitre d'hôtel, who looked from Bonvalot to the table, then back again at Bonvalot. "Excuse me, Monsieur Bonvalot," he said, appearing baffled. "But which vagrant are you referring to?"
Stunned, Bonvalot turned to look at the table. Inexplicably, the stranger had vanished.


Wednesday, April 3, 2013

Historical Novelists' 4 Day Book Fair April 12-15


Introducing:  Spy Island


A Girl. A Deserter. An Island full of spies.

Spy Island is an historical spy thriller for the adventure-lover in you. Prepare to be carried away to a tropical island with its potent mixture of suspense, romance, intrigue, and a delightful assortment of island characters who will cast a spell over you. 

If you can imagine a tropical Danish sugar colony during the Great War replete with German spy characters, Old World Danish characters, colorful West Indian characters, Irish sailor characters, blazing Luger pistols, a mad Voodoo Queen, and a daunting & resourceful heroine, then you have a good picture of Spy Island.

Abby Maduro is an adventurous island girl who saves the life of a mysterious stranger who has washed ashore on her Caribbean island. Despite the danger, Abby shelters Erich Seibold, a handsome sailor with a mysterious past, in the basement of her house. Soon, friendship and love blossom between the unlikely pair, even after Abby learns that Erich is a deserter from a German U-boat. When the island's German Consul, Lothar Langsdorff, discovers Erich's true identity, he blackmails him into committing sabotage and murder. Erich is hunted down and thrown into prison, forcing Abigail to risk everything to save his life, but with Langsdorff and his spy ring still on the loose, Abigail relies on her wits, bravery and a little island magic to save her tranquil island from a dangerous German spy. Spy Island is a historical spy thriller for the adventure-lover in you. Prepare to be carried away to an exotic tropical island with its potent mixture of action, suspense, romance, and delightful island characters who will cast their spell over you. 

Danish gendarme with trusty revolver and sword in a tropical Danish colony circa 1916.
Excerpt:
The office of Assistant Policemaster Peter Larsen juts out from the interior walls of Fort Christian into the courtyard—like a tiny fortress within a fortress—and boasts an enormous wooden desk, a filing cabinet, and a rotating fan whose loud whirring drowns out the din of the prisoners. The policeman knocks on the door and waits for permission to enter.
Larsen, a middle-aged bureaucrat with a curly mustache and wearing a white, single-breasted tunic, sits upright at his desk, composing a letter in elegant Danish longhand. The only other objects that occupy his prominent desk are a large police registry book, an inkwell, and a copy of the Tidende. Hanging on the walls behind him are pictures of King Christian X and Queen Alexandrine, who gaze down on the proceedings with the proper noblesse oblige.
"Chief Larsen," says the policeman, jingling his keys. "A girl came here sayin' she brought food for de no-name prisoner. Says she wants to see him."
"If it's food she brings, you may show her in," says Larsen without bothering to look up. The policeman snatches a jagged key off a hook on the wall and says, "Dis way, Miss."
I trail the policeman through the courtyard, attempting to avert my gaze from the hissing prisoners as I search for any sign of Erich. We halt in front of a cell in the prison's southern wall. With my heart beating wildly in my chest, I peer through the bars, hoping that at last I will see Erich. When my eyes finally adjust to the darkness, I make out its sparse furnishings: a metal bed, a thin, dirty mattress, a yellowed, threadbare sheet, a porcelain receptacle in a corner, a pile of cigarette stubs on the floor. Sitting on the bed with his back to us is a silent, sulking prisoner.
"Put that basket down and run along," says the policeman. "Dese prisoners are a violent, rowdy bunch."
"Please Sir, I have to see this man. He has no family to bring him food. I must give it to him myself. I'm the only person he trusts."
"You have five minutes and no more, then be on your way," he commands, inserting the key in the lock and calling out, "Hey Kaiser man, you have a visitor."
When the prisoner turns around, my relief is boundless. Although his face is obscured by the shadows, I have no doubt that it's Erich. As soon as he sees me, Erich bolts upright and starts toward us, but the jailer holds up a huge, powerful hand.
"Not so fast, Kaiser man," he yells. "Stop right dere. Talk from ovah dere."
The policeman turns and retraces his steps through the courtyard, leaving us alone for a few precious minutes. With the door ajar, I slip inside Erich's cell and throw my arms around him.
"Erich! I thought I'd never see you again. Are you alright?"
"I’m fine," he says, with a mixture of shock and relief. "And what about you? How the devil did you manage to get in here?"
"I have my ways," I say. "I did what anybody would do under the circumstances. I had to see you again, no matter what. What are they going to do to you?"
"They're charging me with espionage, but only after they hand me over to the Allies for interrogation. We might as well say goodbye now, Abby. I'm sure I'll never see you again."  
I hiss in his ear. "Listen carefully. I'm going to get you out of here. Just do as I say…we've no time to lose."
"What? You must be crazy!"
"I'm quite serious," I affirm, pulling out the gendarme uniform. "This is our only chance. Put it on quick. The outside gate is still unlocked and there's only one policeman on duty right now. Larsen's in his office daydreaming and if you hurry, you might be able to slip through the front gate. I calculate you have about two minutes."
Erich's eyes go wide as he assesses the uniform. He tears off his clothing and pulls on the uniform with a ferocity I have never seen. First the jacket, carefully fastening all of its buttons as he mutters, "This is the craziest thing I've ever heard" and then the trousers. Finally, he replaces his shoes. He smooths back his hair, tops it off with the cap, and lowers it until it almost conceals his eyes.
"If they catch me, they'll shoot me. You realize that, don't you?"
"Shhh!" I caution. "He's coming back." 


Danish sailors and naval marching band parading down a street
in Fredericksted,  St. Croix, 1916

Charlotte Amalie, once an important sea port in the Danish West Indies
 looking just like it did during Danish times.
Typical island scene as painted by Danish artist Hugo Larsen ca. 1904-07
Danish gendarmes and police posing in front of portraits of King Frederick VIII and Queen Louise
Fort Christian, the site of a suspenseful prison breakout scene in Spy Island
Another gorgeous painting by Hugo Larsen
The National Bank of the Danish West Indies, the site of a tense scene with a mad Voodoo Queen.
Important Danish officials and sea captains await the final lowering of the Dannebrog at the side of Fort Christian.
Post Office Square, just in front of the Grand Hotel


Aerial photo St. Thomas Harbor and Hassel Island © Don Hebert
Here is a link to the kindle version of Spy Island. Treat yourself today!
http://www.amazon.com/Spy-Island-ebook/dp/B00AZRLXV8/ref=tmm_kin_title_0?ie=UTF8&qid=1365028922&sr=8-1

Sunday, March 17, 2013

To kill off or not to kill off: Some thoughts on killing off a character


I was several years into writing my first novel, a spy thriller, when I had a sudden revelation. If I changed the nationality of a beloved character, I could breathe new life into him. Let me give you an example. In my novel, "Spy Island", the protagonist, a girl named Abigail, is compelled to cross the Caribbean Sea by steamer during WWI to live with her spinster aunt. On the journey, she strikes up a friendship with her room steward, a plucky Venezuelan named José whose character is vital because he teaches Abigail all about the nature of German spies and how she can protect herself from catastrophe. In so doing, José awakens in Abigail an innate love of adventure and intrigue that drives the story forward.

Yet something about José's character remained flat; I couldn't make him dance off the pages. He was nice and everything, but not memorable. And then I had the afore-mentioned revelation. If I turned José into Ian, an Irish sailor, I could incorporate those witty Irish expressions and that unmistakable Irish sense of humor that wraps around you like a Shamrock wool blanket. I recall wrinkling my brow at the notion. Could I do that? I asked myself. Could I just wave my pen and turn José from Maracaibo into an Irishman? Well, I did. And all at once, José took on a whole new life. As Ian, his Irish red hair burned the pages of my manuscript. His Cheshire cat grin, his twinkling eyes, his Gaelic sense of humor and manner of speaking, and his vulnerability captivated my Writing Class. And now we come to the "killing off part". Out of a sense of duty and patriotism, Ian stalks a wanted German spy and turns up dead—a corpse lying in a pool of blood—on the boat deck.

Could this be Ian McShane, our intrepid Irish sailor/amateur sleuth?
The ladies in my Writing Group bristled at the notion. They demanded a rewrite. "But it's crucial to the development of my story," I argued. "If Ian doesn't die, Abigail has no reason to hunt down German spies."  They shook their heads. "Change it!" they demanded. Again my brow wrinkled. Change it? And so, pen in hand, I kept the ominous pool of blood but removed the corpse. The ladies were satisfied. But the question remains. When is it appropriate to kill off a character?

In Peter Benchley's "Jaws", the death of the beautiful, young Chrissie, is the inciting incident for the entire novel. Her death and the subsequent death of a schoolboy are what arouse the feelings of horror and revenge in the protagonist. Likewise, in Sarah's Key" by Tatiana de Rosnay, the tenuous fate of little boy locked up in the closet gives his sister a vital purpose. She must escape in order to save him. Other times, the death of a character gives a novel a natural ending. Think "Rainwater" by Sandra Brown, "Sunflowers" by Sheramy Bundrick, and "Anna Karenina" by Tolstoy. In these cases, the death of a main character signals either a peaceful closure or an ignoble ending.

According to Codey Amprim in Killing off Characters-Knowing When to Drop the Guillotine, there are three conditions to killing off a character:

1) Moving the plot forward. There must be a valid reason for killing off the character and not just as a convenient way of removing him from the story. Make sure a valid outcome arises from his death.
2) Are you killing the character merely for dramatic purposes? Are you trying to shock or frighten your reader like in a horror novel, or does his death enhance or improve the story?
3) Before killing off the character, consider the bond between you, the character and the audience. According to Amprim, some writers become so attached to their characters that they make sure their life is like an aspirin commercial: they're always bundled before they go out and their insurance premiums are always paid. In certain cases, that is a form of torture to the reader because they read to vicariously experience danger through those characters. There are valid and appropriate reasons for killing off certain characters, but withholding the axe may hurt more.
In the final analysis, killing off a character finishes off that part of the story. If his death doesn't cause an unnatural break in the narrative flow or doesn't leave gaping holes in the plot, readers will generally forgive you. But tread carefully. In the words of one blogger, make sure his death doesn't make them want to throw your book across the room.
Writers and Readers:  Let me know what you think.  Did you ever get furious when a beloved character in a favorite novel was killed off?

Source:
http://mythicscribes.com/character-development/killing-off-characters/

Sunday, March 10, 2013

Traveling the World through Historical Fiction


In a recent review of Spy Island, a book blogger writes, "Sophie really managed to make me feel like I was right there with the characters in this (novel) and it added a lot to my enjoyment of the book. Plus it's made me feel as if I need to travel to these places." Naturally the book reviewer got me to thinking, when did my fascination with exotic and mysterious settings first take root?

One of my fondest childhood memories is the day my fourth grade class discovered a new book sitting  unobtrusively on our library shelf. One glance at the title, The Cay by Theodore Taylor, and its depiction of castaways on a deserted beach, and we proceeded to fight tooth and nail over the book. Over the next several weeks, The Cay was the most checked-out book in our school library. And for good reason. The protagonist, Phillip, was easy going and likable, and Timothy, the elderly deckhand from Charlotte Amalie, could have been any one of the old men we saw playing dominoes on the waterfront, or over at Market Square. Taylor's characters and settings were so real, they captured life in Willemstad, Curaçao, and the deserted cay to perfection. The book recreates the feeling you get when a good friend travels to an exotic location and tells you all these first-hand, intimate details about his experiences. I dreamt of traveling to Willemstad Curaçao—now a UNESCO world heritage site—for over 20 years until I finally flew down and saw it for myself. Part of the reason was to catch a glimpse of Phillip hidden somewhere among the colorful denizens of Willemstad.
Willemstad, Curacao, Netherlands Antilles
Another historical novel with an exotic location that captured my childhood imagination was Exodus by Leon Uris. Uris' retelling of the legendary story of a ragtag group of Jewish refugees who make it to the modern-day land of Israel, and then successfully wrest control away from the British Mandate is nothing short of miraculous. Uris' descriptions of Jerusalem, the Jezreel Valley, Acre, Haifa and even Cyprus fascinate the reader, and make him feel as though he is experiencing the events first hand. His characters are flesh and blood people, with all their human quirks and failings. But like all true heroes, they inspire the reader to not just sit back and observe life's events like a spectator, but to strive to somehow make a difference in the world.

Standing at a height of 29,029 feet, and straddling the borders of Nepal and Tibet, Mount Everest is undoubtedly one of the world's most inaccessible spots. Yet despite the tremendous odds of dying on the mountain, the lure of conquering Mount Everest continues to haunt mankind's more daring elements. In addition, the Himalayas hold a strong spiritual and geographical fascination, and none possessed it more ardently than George Mallory, a British mountaineer who set off in 1924 with the young, inexperienced Andrew Irvine to conquer the roof of the world. Lovers of Historical Fiction who relish the chance to relive this epic adventure can find it in Paths of Glory by Jeffrey Archer, a marvelous retelling of this heroic and unforgettable tale.
Mount Everest
The Thorn Birds took the world by storm with its searing depictions of life in Australia's Outback and its cast of unforgettable characters who struggle against life's obstacles and tragedies. The imagery of sheep country is unflinching; the characters are almost feral in their realism. The Thorn Birds is one of historical fiction's greatest crowning achievements for its grand scope and its minute attention to detail. But through it all, the single unchanging element is Australia, a land that can never quite be tamed.

A Graham Greene novel is a like a travelogue of expatriate communities in former colonies around the globe. Take for example The Heart of the Matter, which takes place in Sierra Leone, or Our Man in Havana, which takes place in Cuba on the brink of revolution, or The Comedians, which takes place in Haiti, Greene's novels accurately portray the culture, setting, and the political turmoil and upheavals that the citizens faced on a daily basis. While not technically historical fiction since the events depicted occurred during Greene's lifetime, the novels are excellent research material for writers looking for an accurate depiction of the mindset, attitudes, and behaviors of people who lived during some of the most epochal times of the early 20th Century.
Havana, with its cavalcade of perfectly preserved 1950's era automobiles.





Wednesday, March 6, 2013

Thoughts from a Bookseller

Reblogged from The Huffington Post

This Book Will Change Your Life
by Allison Hill
President & COO, Vroman's Bookstore and Book Soup


I was working in the bookstore late one evening when a customer asked for me. "I'm looking for a book," he said, "and I saw your staff picks around the store and thought you might be able to help me." I asked him what kind of book he was looking for. He paused for a moment, then his voice caught and it seemed like he might start crying: "I'm looking for a book that will change my life."
In 20 years of bookselling, I've had customers share surprisingly intimate details of their lives with me. A woman in her late 50s asked me for books on relationships, but after I walked her to the section, she started crying and confided the story of her daughter's marriage to an abusive man, and how she needed a book that could save her. A well-dressed couple, him in a suit and her in a wrap dress, came in over the holidays and asked me for books to give a friend who was just diagnosed with terminal cancer. They had tried searching on Amazon, but the titles that came up were about the mechanics of how to survive, not the particular poetry of living with dying. More than once someone has asked me for a good novel, "something that will make me laugh," only to admit once I'd found a book for them, that they needed something funny to distract them from some trauma or drama that they then proceeded to share with me. A hipster asked me for books on personal finances; she was determined to begin the long crawl out of a deep debt. A famous actor admitted his stage fright and asked for a copy of Feel the Fear and Do It Anyway. A young woman asked me for books on recovering from loss; she had recently lost a child...
In the wake of Internet competition, bookstores have been feeling like publisher showcases and promoting ourselves as literary curators. But our true value may be as basic as this: often people come to us simply to talk to another human being. In a world that is more and more automated, computerized, web-based, sometimes, someone just wants to tell their story to another human being, feel like someone heard them, and take away hope that things will change -- hope in the form of a book.
I walked with the customer downstairs and we went through my staff picks that he had seen earlier:Going to Pieces Without Falling ApartA Woman's WorthThe Gift of Fear. At various points these books had all shifted my perspective, changed my way of thinking, even saved my life one could say.Diet for a Small Planet inspired my conversion to vegetarianism when I was 18. The Comfort Traphelped me bring necessary closure to my 10-year marriage. Wherever You Go, There You Areintroduced me to meditation and a new mindful approach to my life. As Thoreau wrote, "How many a man has dated a new era in his life from the reading of a book."
These recent years have marked a new era for all of us, one full of changes. And for many people, those changes felt dramatic and alarmingly sudden. But they were years in the making, the results of hundreds of decisions we all made every single day: who we voted for, who we trusted, where we shopped, where we didn't shop, what we chose to not pay attention to, and so on. I'm not saying the global economic meltdown is our fault, but I am suggesting that perhaps right now we are making choices every day that will influence our future. A decision to save $6.00 on Amazon, multiplied by thousands of customers every day, means that your local bookstore, the place where you hang out, meet friends, met your partner, or found the book that changed your life, may not be there next year...
But for now, many of us brick and mortar booksellers are still here, committed to what I believe is a noble pursuit: putting the right book in the right person's hands. Tonight when I left work there were 30 people lined up for the grilled cheese food truck in our parking lot. There were another 40 people in our event space to hear a first-time author read. There were 10 members of a book club discussing a new novel, and another dozen folks in our coffee shop, most of them reading or writing. A family in the children's department was reading picture books together, and another 15 people quietly browsed the bookshelves. It is in these moments that I am awed by the role a bookstore plays in a community, a feeling made even more awesome by the realization that today we sold 1,087 books, any one of which could change someone's life.



Monday, March 4, 2013

Favorite Historical Fiction


My friend, Mary Tod, from A Writer of History tagged me to list my five personal favorite historical fiction books. As is often the case, some non-fiction books are often just as suspenseful as a great novel and I have listed those as well.
Kim by Rudyard Kipling.  I read this book in 2012 as research for my forthcoming historical novel about the Great Game and Tibet. What I didn't expect was that Kim would change my life forever. It affected me on such an emotional level, I was reduced to tears after only a few paragraphs. Kim challenged everything I thought I knew about parenting and about life in general. Kim won Kipling the Nobel Prize in Literature and contains some of the most unforgettable characters ever written, most of them based on real-life people.

The Sea Wolf by Jack London. Having fallen under London's spell, I checked out The Sea Wolf from the local library and was immediately gripped by Wolf Larsen, the tyrannical captain of the eponymous ship. Just before reaching the climax, my kids lost the book, forcing me to pay a huge fine to the library. Of course I could just buy the book from Amazon to find out what happens in the end, but I'm too terrified to return to that ship of horrors.

Longitude by Dava Sobel. A non-fiction book that reads like fiction, Longitude tells the incredible story of John Harrison, an 18th century clock maker who entered into a contest to create the first clock (chronometer) capable of withstanding the rigors of sea voyage so that mariners could determine their correct longitude at sea. When the organizers of the contest balked at awarding Harrison the prize, he took his fight to court. A spellbinding tale that became a mini-series starring Jeremy Irons.

Napoleon's Buttons: How 17 Molecules Changed History by Penny Le Couteur. Organic chemistry intertwined with history to dramatic effect. This fascinating tome will answer questions like: What do Mexican yams have to do with ovulation? And: What does olive oil have to do with philosophy, logic, and the beginning of rational inquiry? Read this book and you will never look at nutmeg the same way again.

QBVII by Leon Uris. I was a bored high school student on summer break in 1980 when my father dusted off this book and gave it to me, an act that would set off a chain of events that would change my life forever. Left with no choice, I opened up this courtroom drama and couldn't put it down. After all these years, I believe even more firmly that it's books like QBVII that have set the standard for great historical fiction, and it's up to our generation to push it even higher.

Thursday, February 28, 2013

Galileo's Moons


If I could sail a thousand miles;
Just to be with you.
I’d navigate to the stars above,
and Galileo’s moons.
Polaris and the Southern Cross,
Are stretched so far and wide.
They light my path and give me hope;
I’ll have you by my side.

When seas are calm I hoist my sails;
And bid a fond farewell.
Then soon enough the skies grow dark,
As seas begin to swell.
It matters not how long it takes,
The danger or the gloom.
For on starry nights your face appears
And Galileo’s moons.

I’ve sailed so long; I’ve sailed so far;
The days turned into years.
In all that time I’ve kept my faith;
And pushed aside my fears.
My compass is my aide-de-camp;
My mast and rudder too.
And when it’s dark I search the skies,
For Galileo’s moons.

When I was young I hatched a plan
The dream I tried to hide.
But life took hold and swept me up
And took away my pride.
And here I stand alone and old;
My heart still young and true.
If I reach your shores its thanks alone
To Galileo’s moons.

I wrote this poem back in 2011 after I'd read a beautiful book called "Galileo's Daughter" by Dava Sobel, one of my favorite non-fiction authors. Inspiration can come from almost any source!